Now that I’m back in the studio, there’s been a desire to do some vocal experiments on my part.
One of the things that producers worth their salt will do is experiment with different combinations of gear. Though there’s still some bronchitis to deal with, I have been getting a few hours here and there to try out some new signal chains and see how they affect the sound of my voice.
Thanks to modern technology, its actually extremely easy to try out a much wider range of gear without the insane costs. Thank you Universal Audio and the Apollo system!
There’s a project for TV music where we’re in the final phases of recording and mixing. In this project I’m spending some time to run some vocal experiments to hear the differences of what comes out. My most recent chains have included and API vision strip into an LA-2A. Then the absolute newest chain has been a Neve 1073 into a Studer Tape Machine followed by an LA-2A. Each lends itself to a different vibe. Don’t think I don’t realize that those gear terms likely all sound greek to you. They’re all geek to me!
The image above is of my current favorite. What makes it strange is that when I solo a vocal recorded with this chain, it actually doesn’t sound all that great to my naked ear, but in the right track… It causes the vocal to sit like I can’t believe. The ultimate in vocal experiments, when you think the sound is bad, but its oh so right for the song.
Along with the plethora of original tunes for this project are 10 cover songs that are so different from the originals that it may blow your mind. Hell not even may, they will blow your mind. A few of them are very different vocal experiments for me. It all comes down to figuring out the right way to present each song so that it has the right twist to give the song a double entendre.
And therein is my one reason to ever do a cover, to give it a new meaning!
Come with me as we give the Universal Audio Apollo a shootout at Utopia Parkway studio. My Avalon 737 was at the factory so we decided to give George’s Apollo a shot at being the mic pre of choice. We set up a couple of different channel strips to see which input path would give us the best signal for my Telefunken C-12 and my voice on my song “Thump Thump Thump”. It was down to a Neve with an LA2A and a 610 with an 1176.
[sarcasm]It’s riveting. So riveting. Especially if you’ve never been in a recording studio.[/sarcasm] Recording isn’t always the fun and games that people think it is. We do actually spend time figuring out exactly what the best course of recording a sound is. Time consuming comes to mind. Office managers determining a project’s work path is probably the best analogy. After that the real work begins. Laying down the musical parts.
Universal Audio Apollo Mic Pre
Thump Thump Thump recording
Testing mic pre’s.
Testing the Apollo mic pre. Okay Universal Audio.
I lie awake in the middle of the night.
Channel strip two. Well it’s actually one, but I flipped them around.
Well… we’re. It’s the second take on the channel strip on the Apollo.
There’s a push and a pull.
I lie awake in the middle of the night
There’s a push and a pull. As the gears begin to grind.
You know what? That, the 610 sounds more… rock-and-roll. If I was to put a… it has more “ah! to it” more ah.
There’s more meat to it.
That how, that’s how I would describe it.
It’s got more protein, more girth to it. Okay whereas the neve LA2A has a bit more of a refined thin thing.
Yes it’s interesting, I guess there’s a difference in the models. Cause it’s basically the same mic going through 2 different model emulations and they do sound different. Yeah. They are so hard core. I mean really truly. More hard core than most companies are. They want their stuff to be right. and they just really won’t stop until they are.
It’s the 610 76 that wins.
Okay, to give us the meat.
To get the song to ether.