Author: Jody Whitesides

  • Why the Death’s the Rage Release Hits Harder Now

    Why the Death’s the Rage Release Hits Harder Now

    Taking things to the limit seems to be the order of the week right now. I’ve jumped headfirst into learning Blender. There have been several UI tweaks to the website, specifically on the music pages. Death’s the Rage is the music coming this week. So much new stuff going on, it’s like a body replacing its blood supply overnight.

    I’ve jumped into learning Blender. For the uninitiated it’s an animation tool used to create whatever your brain can conjure up (within reason). While I do have a background in filmmaking, and it was a heavyweight CGI animator friend who suggested I learn it for my album covers, I’ll say this: it’s not fuckin intuitive at all.

    That being written, I’m pretty sure it will help me to create some of the most amazing animated covers for my music. Which in turn will make them more memorable and unique. I will never turn down the chance to set myself apart from any other musician, major label or independent.

    My website saw some subtle and not so subtle tweaks this past weekend. The one that got me a bit giddy is the tweak to the track listing on any music page. On a desktop, when a user hovers over a song title or the word lyrics next to a title will notice a nifty little underline animation. In UI terms, it should make it way more obvious to click the links in order to see the lyrics and liner notes for any song.

    For those who run my website on their phone, they will see a slightly different tweak to the UI. For phones it will show a faint underline always, though on Android it’s not so faint. The idea is it will make it more obvious to click the link.

    One more tweak was adding a big “Own It Now” button. My focus is shifting away from streaming services. I get that most people use them, but I’m making it easier for you to support me directly. If you buy my songs you get a full studio quality version better than any streaming service. You help me, I give you better quality music, it’s a win-win situation.

    Death's the Rage Cover Art

    This week’s release is Death’s the Rage. The remix, remaster and Dolby Atmos versions are all tectonic shifts toward better quality audio. If you’re young, you’ve likely never had the chance to sit in a room where the music could envelop you. Wrap you up in a musical blanket and take you on a journey.

    I implore you to sit in a room with nice speakers, with the lights out. Then turn up the music and close your eyes (even though the lights are out). I guarantee listening to Death’s the Rage this way will transport you to a whole new world. In Atmos it will blow your mind.

    Since you’ve read this far, I’ll also ask you to join the Jody Army.

    Stay tuned, more is coming.

  • Why Vision’s Song Release Feels Different This Time

    Why Vision’s Song Release Feels Different This Time

    If there is one thing that helps me feel more alive, it’s travel. This month has been full of it. Another thing that helps me regain some flair for what I’m creating & doing is NAMM, which was last week. One last thing that helps a tremendous amount is spending time with musical friends. Plus as I get further into this song-a-week thing, it’s a major Vision coming to fruition. All of these things happened in the last week.

    It wasn’t more than 5 minutes into NAMM with my friend Chris Hellstrom before we ran into another friend of mine who spotted me right away, Tariq Akoni. He’s an amazing guitarist whose resume is a who’s who. From there it was pretty much a non-stop whirlwind of checking out the latest in music related gear.

    Actually NAMM isn’t just a way to see all the new gear and software from every type of company known to man. It’s a veritable family reunion. As musician’s tend to be in silos of creation or performing – they don’t tend to see the long standing friends and peers for good stretches of time. Hell, there are some friends I tend to see but once a year. Sad, but true. And NAMM is it.

    The best part of it is catching up on everything everyone is doing. I have one friend who works for a major bass company, and yes he is a really awesome bass player. He randomly got into doing music for Anime in a horror genre and now he seems to be the go to guy for that. This has happened in the last year.

    When he heard about my releasing a song a week every week, he remarked – you mentioned you were planning to do that. He was happy that I actually pulled it off.

    The list can continue, but the general response from all my endorsement companies was one of amazement. Mainly because I kinda took myself out of the loop for about 2.5 years. Which was the time I started doing all the Atmos, remixes and remasters. They’re now seeing the result of the “time away” which really wasn’t time away.

    Vision Cover art

    An ancillary benefit of NAMM is the chance to make new friends or connections and there’s also the possibility of seeing some amazing music performed live. This year’s NAMM was no different. I’ve got a new endorsement in the works (this is another hardware company and I’ll keep it quiet until I have it solidified). Plus I saw two fantastic shows.

    One show was at the House of Blues and it involved older Metal dudes, called Metal Allegiance. The highlight was an opening band from South Florida, they were like a cross of Rage Against the Machine and Tool. They were pretty well suited to the spot they got. The second show was a charity thing called the NAMM Jam. It involved multiple name brand musicians all doing a bunch of covers of famous music. It was more than fun to hear what they did.

    The most comical moment of that show was when a singer asked what key they were doing the song in and Nuno Bettencourt responded: In the key Be Quiet.

    A big way that I get to recharge is spending some time late at night drinking whiskey with long time friends and shooting the shit about life. Kinda odd how that can refocus goals and how we can all commiserate on this rock we call home despite all the crap going on. Add to that getting some great food and the end result of the equation is that: Life is good.

    This week will see the release of my song Vision. A re-release off of the E.nergy A.udio R.evolution album. It’s a satirical look at how people can get easily brainwashed by television. Or more to the point duped by it as well. Especially now with social media and how AI can be used to spoil reality. The crazy thing is, I wrote it 25+ years ago, it was prevalent then and it’s even more insane now.

    I’m going to ask that if you’ve made it this far, you should join my Jody Army list. And you should push Vision into your earholes. I guarantee it will get under your skin, into your eyes, and infect your soul.

    Stay tuned more to come.

  • What The Time Machine Animated Cover Iteration Really Looks Like

    What The Time Machine Animated Cover Iteration Really Looks Like

    If ever there was a wild time to be alive, I’d say it’s right now. In the U.S. we have a childish leader who’s looking to start WW III. Creative people are coming to terms with AI. I’m battling hackers in other countries trying to take over my server. If I had a Time Machine I might make some changes in the past. Sometimes you have to push and iterate before the real magic happens.

    By that I mean with the server and the music, not with a terrible leader or wars.

    For visitors to this post, I’m an American, but I do not condone what the President is doing or threatening to do to foreign nations. It’s idiotic and not the way a lot of us feel.

    The beauty is, I’ve solved a giant portion of the problem with the server security. I was never in danger, but it was getting a little overworked. Unfortunately I can’t get that time back, nor am I throwing the gauntlet for the hackers to try again. Nothing that some musician’s aren’t used to: hard work.

    Time Machine Cover tn

    Now it’s time to get back to the music. This week it’s a song called Time Machine. It’s also the reason for my statement about iteration. There’s a lot of iterations that happens for all kinds of creative people. This week’s animated cover took an awful lot of iterations.

    One of the best people to ask about the sheer number of iterations to that cover animation is Ken Bailey. He went thru a ton of hell with me for that singular animated cover. The end result was something I could finally be happy to show come Friday.

    Mentioned in the song notes, I had a notion that I would do this song with Tori Amos, even though it is not her wheelhouse. Who knows maybe some day there will be a chance to perform it together. Until then I want you and the rest of the world to enjoy the updated mix.

    Stay tuned for more.