Author: Jody Whitesides

  • Why Vision’s Song Release Feels Different This Time

    Why Vision’s Song Release Feels Different This Time

    Some things reset you.

    New cities. Long conversations that stretch past midnight. Rooms where the volume is loud and the stakes feel real.

    This past month has been full of that kind of movement. Travel. Time with friends who’ve been in the trenches as long as I have. The kind of energy that pulls you out of routine and reminds you why any of this matters in the first place.

    And in the middle of it all was NAMM.

    If you’ve never heard of it, it’s technically a music trade show. But what it really is, at least to me, is a reunion. A once-a-year collision of people who’ve shared stages, studios, road stories, and long stretches of silence in between.

    Five minutes into walking the floor with Chris Hellstrom, we ran into Tariq Akoni, a guitarist whose resume reads like a who’s who. No planning. No texts. Just that instant recognition. The kind that says, You’re still in this. Good.

    Vision Cover art

    Most artists aren’t constantly surrounded by each other. The truth is quieter. We’re in our own silos, writing, recording, living life, sometimes seeing close friends once a year if we’re lucky.

    So when you do connect, it lands different.

    You hear what people have built. One friend who used to be the bass monster in a band is now composing horror anime music and becoming the go-to guy in that world. That kind of evolution doesn’t just inspire, it proves reinvention is always on the table.

    More than once I heard some version of: “You said you were going to release a song a week. You actually did it.”

    That meant something.

    Because for the last couple of years, it probably looked like I disappeared.

    I didn’t.

    The quiet wasn’t absence. It was preparation, remixing, remastering, working in Dolby Atmos, so what you hear now hits harder. Not rushed. Sharpened.

    And now people are seeing what that stretch was really about. Not retreat. Continuation.

    That energy carried into the nights too. Whiskey with old friends. Honest talk about life, music, the chaos we’re all navigating. No stage lights. No agendas.

    It’s funny how those conversations reset your internal compass. Even in a world that feels fractured and loud, there’s still laughter. Still connection. Still music that cuts through.

    Then there were the shows.

    One night at the House of Blues watching Metal Allegiance tear through a set that felt like a celebration of heavy music’s lineage. The highlight wasn’t just the legends, it was a younger band from South Florida that hit like a cross between Rage Against the Machine and Tool. Urgent. Focused. Hungry.

    Another night was the NAMM Jam, a charity event packed with well-known players covering songs everyone in the room knew by heart. At one point a singer asked what key they were playing in and Nuno Bettencourt shot back: “In the key of Be Quiet.”

    That’s the kind of moment you remember. Not because it’s polished, but because it’s human.

    Here’s why that matters to you: the more alive I feel in those rooms, the more honest the songs become when they reach your ears. Energy transfers. Always has.

    Which brings me to this week’s release: Vision.

    I wrote it more than 25 years ago, a satirical jab at how easily people could be manipulated by television. How screens shape belief. How repetition becomes reality.

    Now?

    It feels less like satire and more like documentation.

    Social media algorithms. AI-generated content. Manufactured outrage. Carefully edited narratives designed to make you believe, react, share. The lines between truth and performance blur faster every year.

    Vision was written before all of that escalated, and somehow it speaks directly into this moment.

    If you’ve ever felt overwhelmed by the noise… if you’ve ever wondered who’s really steering the narrative… if you’ve ever caught yourself scrolling and thought, How much of this is real?

    This song is here when you need it.

    It isn’t preachy. It isn’t political. It’s observational. A raised eyebrow set to a heavy, driving pulse that doesn’t sit in the background, it pushes. It lingers. It makes you pay attention.

    Not distraction. Awareness.

    When you press play on Vision, you’re not just hearing an old song polished up. You’re stepping into a conversation that’s been brewing for decades, one that feels more urgent now than it did then.

    So here’s the invitation.

    Put it in your ears. Let it under your skin. See what it stirs.

    And if you want to stay connected, not just to the songs, but to the why behind them, the Jody Army list is where that happens. No spam. Just the signal.

    More to come.

  • Time Machine: When Regret Becomes Reflection in a Rock Song

    Time Machine: When Regret Becomes Reflection in a Rock Song

    Some songs are escape hatches.

    When the world feels like it’s spinning too fast, when the noise gets too loud, when you need to step outside of right now and imagine what could have been, that’s when a song like Time Machine matters.

    We’re living in strange times. Leadership that feels reckless. Technology that’s rewriting the rules faster than we can process them. A sense that the ground beneath us keeps shifting, and not in a good way.

    I’m not here to preach politics or tell you how to feel about any of it. But I am here to tell you this: music has always been the place where we process what we can’t control. Where we ask the questions that don’t have easy answers. Where we imagine alternate timelines, different choices, roads not taken.

    Time Machine is that kind of song.

    It’s not about literal time travel. It’s about the universal human impulse to look back and wonder: What if I could change one thing? What if I had a chance to rewrite a moment, a decision, a turning point?

    We’ve all been there. Late at night, replaying conversations in our heads. Imagining different outcomes. Not out of regret, necessarily, but out of curiosity. Out of the need to make sense of how we got here.

    This song sits in that space. It doesn’t offer answers. It offers company.

    Musically, it’s built to pull you in. The kind of track that doesn’t just play in the background, it wraps around you. There’s weight to it. Atmosphere. A sense of longing that doesn’t tip into sentimentality.

    The vocal approach is restrained, almost conversational, like you’re overhearing someone’s private thoughts. That was intentional. This isn’t a performance, it’s a confession.

    Time Machine Cover tn

    When I first wrote this song, I had a wild notion that Tori Amos might sing on it someday. Not because it’s her usual territory, but because her voice has that rare ability to make vulnerability feel powerful. Who knows, maybe that collaboration happens someday. For now, this version stands on its own.

    And it’s been worth the wait.

    Here’s the thing about creative work: the good stuff takes iteration. You push. You refine. You strip away what doesn’t serve the song until all that’s left is what needs to be there.

    That process isn’t always visible to listeners, and it shouldn’t be. What matters is the end result, the moment when you press play and feel something shift.

    The animated cover for this release went through that same process. My collaborator Ken Bailey and I pushed through countless versions to get it right. Not because we’re perfectionists for the sake of it, but because the visual had to match the feeling of the song. When it finally clicked, we knew.

    That’s the standard. That’s the work.

    And that’s what you’re getting when you listen to Time Machine, not a rough draft, not a compromise, but the version that earned its place in your ears.

    This song is for anyone who’s ever looked back and wondered. For anyone who’s felt the pull of what if. For anyone who needs a few minutes outside the chaos of right now.

    It’s not an escape from reality. It’s a way to sit with it. To process it. To remind yourself that even in uncertain times, there’s still room for reflection, for imagination, for music that meets you where you are.

    So here’s the invitation: give it a listen. Let it sit with you. See where it takes you.

    And if you want to stay connected to releases like this, not just the songs, but the stories and the why behind them, join the Jody Army list. No spam. Just the signal.

    More to come.

  • New Song “Echo” Continues Jody Whitesides’ 2026 Releases

    New Song “Echo” Continues Jody Whitesides’ 2026 Releases

    2026 didn’t ease in.

    It kicked the door open.

    The year started heavy, loud guitars, sharper edges, momentum that doesn’t ask permission. Publicity dropped. Digital Empire followed. And now we’re stepping into something different with Echo, mellow on the surface, but carrying weight underneath.

    If you’ve been riding along since January 1st, you can probably feel it.

    This isn’t random output.

    It’s rhythm.

    A new song every single week means there’s always something waiting for you. Something new to press play on when you’re driving home late. Something to sit with when the house is quiet. Something to turn up when you need to shake off whatever the day threw at you.

    That consistency matters.

    Not because it’s ambitious.

    Because it’s dependable.

    You know the feeling when your favorite band disappears for years and you’re left wondering if that last album was the last album? This year is the opposite of that.

    Every week, there’s a pulse.

    And that pulse continues with Echo.

    Echo isn’t soft.

    It’s restrained.

    It carries that tension you feel when you’re holding something in, not exploding, not collapsing, just existing in that in-between space. The kind of song that sounds calm until you realize it’s hitting somewhere deeper than you expected.

    If you’ve ever felt like your thoughts bounce back at you louder than you said them…
    If you’ve ever replayed a conversation in your head long after it ended…

    Echo understands that.

    Beyond the music itself, there’s something else happening.

    Every release has its own visual identity. Posters. Shirts. Limited-run items that exist because the song exists. It’s not merch for the sake of merch. It’s artifacts.

    Echo Cover Art thumbnail

    Wall posters of the artwork are now part of that world. Printed on high-quality paper. Tangible. Something you can actually put in your space, not just scroll past.

    Music used to live in physical form.

    Vinyl sleeves. CD booklets. Liner notes.

    There’s something grounding about bringing that back into your room.

    If you’re paying attention, there’s also a quiet reward system built into each week. The clever ones find the discounted items before the wider world catches on. It’s not about urgency, it’s about participation. Being inside the rhythm instead of outside it.

    Last week added another layer.

    New Orleans.

    The city where jazz was born. A place that feels like music never left the sidewalks. I stepped away from my own work for a minute to help out my girlfriend and her high school jazz band. Watching young players pour themselves into charts older than they are, that does something to you.

    It reminds you why this all started.

    We ate incredible food. Heard live bands that felt like they were playing for survival, not attention. The air was mild. The nights stretched long.

    There’s a spot there called Dooky Chase’s Restaurant.

    Small group. Lucky break. A table opened up when the people ahead of us didn’t want to wait. That kind of timing feels almost scripted.

    Stuffed shrimp.

    Gumbo.

    A waitress who casually shared what former President Barack Obama once ordered when he dined there, and the story that followed. It’s one of those tales that you can’t Google your way into. You have to be in the room. You have to ask.

    Moments like that stick.

    Not because they’re glamorous.

    Because they’re lived.

    That trip, the music, the food, the stories, fed directly back into what you’ll hear in the weeks ahead. Not technically. Not mechanically. Emotionally.

    Energy in. Energy out.

    Back home, the pace hasn’t slowed. New songs taking shape. Visual worlds being built. One animated cover test ran recently and I’ll just say this, it felt right. The kind of right that makes you stop mid-sentence and just watch.

    It’s coming.

    And when it lands, you’ll see what I mean.

    But here’s the bigger picture.

    This year isn’t about scattered releases.

    It’s about momentum.

    About building something week by week that you can rely on. A soundtrack to your year, not just a playlist filler.

    If you’ve already signed up for the Jody Army, you’re inside that circle. You see things early. You get the extra edge on new drops. If you haven’t, now’s the time.

    Because 2026 isn’t slowing down.

    It’s not dipping a toe in.

    It’s moving.

    Every week.