Author: Jody Whitesides

As you’ve probably heard, Malcolm Young passed away over the weekend.

Malcolm Young Guitarist

Before I even had an inkling of playing guitar (or any instrument for that matter), I had already felt the power of AC/DC. Staples of the party scene growing up with songs you hear at parties like Back In Black and For Those About To Rock. They are the kind of songs that drive people to join the legions of air-guitarists everywhere.

When I started playing guitar I assumed that Angus Young (Malcolm’s brother) was the mastermind behind such powerful songs. He was the focus, he strutted around in that school-boy outfit. It made sense to me. It wasn’t until later that I learned Malcolm was the real writing force.

Thunder

I always appreciated how AC/DC was able to make heavy loud guitars sound like they belonged in everyday songs that could be anthems. There’s a lesson in every one of their thunderous hits and Malcolm Young certainly should be studied in music schools. For no other reason than what it takes to make a guitar stick in your head and never leave.

Jealous is too strong a word, but I am certainly hoping that at some point in I might be able to deliver a guitar song so filled with power that it becomes an anthem.

Goodbye

The world will sorely miss what future riffs could have poured out of Malcolm Young’s mind and fingers. RIP to one of the original gods of rock.

Perfection can lead to trouble. The deep divide is coming. It seems everywhere I’ve been turning lately there is a deep divide based on people’s ideals of what they believe is perfection. Whether its in music or in ideology, people are becoming less tolerant of those who do not share their same taste or view.

I think forward. I’m always thinking forward. If a new sound comes out, I want to hear it. That’s the musician side of me.

Perfection

I think perfection. I didn’t always think perfection. Always do the best you can do, that was beaten into my head while growing up. I now take that very seriously as I produce music. As I start achieving what I hear as musical perfection, I notice how so many others do not understand it.

I love to help out musician friends and other up coming talent. What invariably happens every time I do this is a culminating point of frustration with the person I’ve brought in to work with. This is especially true with those who work day jobs outside of music. The general reason for the frustration stems from being unable to execute an idea.

Usually a budding musician will want to play their instrument or sing. I get it. Its a pride thing. As a full-time musician and often a producer, I’m more interested in the perfection of the performance and I care how I get to the end result. I wasn’t always that way, but I developed that mindset. Its not a common mindset.

Throughout the history of music there are numerous cases of where the writer/composer/artist is not the person on the recordings. Some cases become public, but most of the time no one is the wiser. In some cases, even the artist isn’t aware that its not them.

Is this problematic?

This could be determined by whether you believe that content is king. I’m one of those that believe content is king. The song is the master. Everything has to serve it. The performances, the mixing, the mastering, they all contribute.

The only time when I believe its a major problem is when attempting to use one singer’s voice as the voice for another front person. Aside from voices for the artist, I’m fair game with anything else to make sure that performance works. Why? The human voice is extremely personal and one that you can’t replace – a voice is the same as a fingerprint.

Common Argument

Often when confronted with the technological advances in recording, musicians will reference the purity of the Beatles and their recording process. What this tells me is that they don’t know how the Beatles used the technology they had available to them at the time they were in their heyday.

If you, as a listener or musician, fall into the camp that the Beatles were pure about their recordings, then its likely you’re not aware of all the techniques they used. The Beatles used every available trick in the book they could to achieve their goals. Sometimes going as far as to invent new ways to record sounds. One of my favorites is that they would change the tape speed in order to slow down the tape to make it easier for them to play a part. Then they would speed the tape back up to full speed to make it sound like they performed that music at tempo.

I believe the Beatles would have used pitch correctors, and time shifters to their advantage had the technology been available to them. Why? Because they were cutting edge and strove for perfection.

Currently

For some reason, when a musician uses today’s tools at their disposal they are considered to be cheating when going after that perfection. When in reality they are attempting to achieve the sonic goal they hear in their head. At least that’s how I envision it.

Conclusion

I’m not going to hide the fact that I make use of all kinds of technology to make music happen. In the recording process, I use a computer to track everything. In the mixing process I use all kinds of plugins to remove noise, correct timing (if its not grossly out), tune pitch (sometimes for a performance, sometimes as a means to create an entirely new sound), create space, etc. My entire musical chain is Digital from start to finish including my guitar rig when I perform live.

When I confront an artist that I’m working with or producing, I will explain the how’s and why’s of making use of the technology. Often once its explained, they have no issue with it.

I don’t use technology to deceive, I use it to enhance.