Author: Jody Whitesides

  • Digital Empire Music Release and a Year of New Music

    Digital Empire Music Release and a Year of New Music

    Some songs name the thing you’re living through before you realize you’re living through it.

    Digital Empire is one of those songs.

    We’re all building something online, whether we mean to or not. A presence. A persona. A collection of curated moments that somehow add up to who we are, or who we want people to think we are.

    It’s not inherently good or bad. It just is. The digital landscape we navigate daily. The empire we’re all constructing, one post, one click, one algorithm at a time.

    This song looks at that reality without judgment. It observes. It reflects. It asks the quiet question underneath all of it: What are we actually building here?

    Musically, it’s got weight. A pulse that mirrors the relentless churn of feeds and notifications. The kind of rhythm that feels familiar because you’ve been living inside it for years, even if you didn’t have a name for it.

    Lyrically, it’s direct. No metaphors you need a decoder ring to understand. Just a clear-eyed look at the infrastructure we’ve all become part of, willingly or not.

    Digital Empire thumbnail

    If you’ve ever felt the strange duality of being more connected than ever but somehow more isolated… if you’ve ever questioned what’s real versus what’s performance… if you’ve ever wondered whether the empire you’re building online actually reflects who you are, this song meets you there.

    It doesn’t preach. It doesn’t lecture. It just holds up a mirror.

    And sometimes that’s exactly what you need.

    Behind the scenes, I’m building my own version of this, a digital space that actually serves the people who show up. New items hitting the store. Wall posters. Song transcriptions. More on the way.

    The biggest shift? Free worldwide shipping on everything. No fine print. No minimum purchase. I want the barrier between you and the music, the physical pieces of it you can hold—to be as low as possible.

    The animated covers for Publicity and Digital Empire were supposed to drop on release day, but external delays pushed them back. They’re live here on the site. They’ll hit platforms like Apple Music soon. Beyond my control, but worth the wait.

    I’m already prepping the next batch of animated covers, releases months from now. The ideas are getting bolder. Whether I can actually pull them off remains to be seen, but that’s part of the process. Push the vision. See what sticks.

    If you’re on the Jody Army email list, you’re already seeing some of this unfold in real time. New updates. New access. New reasons to stay plugged in. If you’re not on it yet, now’s the time. I’ll make it worth your while.

    Next week I’m headed to New Orleans with a jazz band. Different energy. Different rhythm. But the same principle applies: show up, absorb, bring it back to the work.

    For now, Digital Empire is live. Give it a listen. Let it sit with you. See if it names something you’ve been feeling but couldn’t quite articulate.

    Because that’s what songs are for. Not just to soundtrack your life, but to help you understand it.

    More to come.

  • Publicity by Jody Whitesides Sets the Tone for a Powerful 2026

    Publicity by Jody Whitesides Sets the Tone for a Powerful 2026

    Some years teach you what matters. Others put it into practice.

    2025 was the former. 2026 is going to be the latter.

    Last year had its highs, big ones. And it had its lows, the kind that test whether you’re actually committed or just playing around. But the thing about hard years is they force clarity. They strip away what doesn’t work and leave you with what does.

    And what works is this: direct connection. No middlemen. No algorithms deciding who sees what. Just the music, the people who care about it, and a straight line between the two.

    That’s what 2026 is built on.

    The first song of the year is Publicity, a track about what it takes to get noticed. Fame. Attention. The endless noise machine that churns out good news, bad news, fake news, all in service of keeping you looking.

    I wrote the lyric “good news, bad news, it’s all fake news” years ago. At the time it felt sharp. Now? It feels like prophecy.

    We’re living in a moment where the line between reality and performance has all but disappeared. Where outrage is currency. Where the loudest voice wins, regardless of whether it’s saying anything true.

    Publicity doesn’t pretend to have answers. It just observes the machine and asks: Is this really what we’re doing? Is this what it takes?

    If you’ve ever felt exhausted by the constant churn of headlines, hot takes, and manufactured drama, this song is for you. It’s not angry. It’s not preachy. It’s just clear-eyed about the game we’re all playing, whether we signed up for it or not.

    Publicity cover art

    Musically, it hits with the kind of energy that refuses to sit still. Driving rhythm. Sharp edges. A vocal delivery that doesn’t ask for your attention, it demands it. Fitting, given the subject matter.

    And here’s the thing: you’re not getting the watered-down streaming version. You’re getting the full studio-quality mix and master. The way it was meant to be heard.

    That’s part of the shift happening this year.

    In 2025, I rebuilt the infrastructure. Redesigned the website. Brought the email list under personal control so there’s no third party sifting through your information. Added fan levels so the people who show up get more access, more connection, more reasons to stay.

    It was painful. Frustrating. The kind of work that doesn’t show up in a flashy Instagram post but matters more than almost anything else.

    Because the goal isn’t just to release music. It’s to create a space where the music actually reaches the people who care about it, without a dozen layers of gatekeepers in the way.

    Last year also brought something I’d been chasing for a long time: releasing new music every single week. It’s a massive undertaking. Some weeks it felt impossible. But I’m finally in the rhythm of it, and 2026 will see more of the same.

    New releases. Every week. All year.

    Some of those releases are being built into Dolby Atmos versions, immersive, layered, the kind of experience that brings back the feeling of when music first felt special. When you’d put on headphones and get lost in it.

    That giddiness is still there. You just have to build for it.

    The animated covers are part of that too. Right now, only Apple Music supports them natively, but you can see all the animations here on the site. They’re worth it. Each one is designed to match the mood of the song, not just slap a generic visual on top of it.

    Not everything went smoothly. There were setbacks. Technical frustrations. Moments where it felt like one step forward, two steps back. But for every setback, there were three steps forward. And with just a few puzzle pieces left to lock into place, I’m excited about what’s coming.

    I’m not going to sugarcoat it: 2025 had its share of external noise. The clown show in the White House. The never-ending news cycle that makes it impossible to tune out. I’m not here to get political, but I will say this, it’s exhausting. And Publicity taps into that exhaustion without letting it turn into cynicism.

    What I want for 2026 is simple: more connection. Not through social media. Not through platforms that decide what you see based on what keeps you scrolling.

    Just you and me. The music. The stories behind it. The reasons it matters.

    That’s what all the work in 2025 was for. To make 2026 a year where the music shines, and the connection between us is real.

    I’m telling you, 2026 is going to be bright.

    More to come.

  • Christmas Brought Me You: Memories, Music, and Creative Growth

    Christmas Brought Me You: Memories, Music, and Creative Growth

    Getting around to the Christmas spirit of 2025. What a wild and crazy year it’s been. Lots of changes here in JodyLand and at my web domain. Of course in the spirit of the holidays it’s been four weeks of holiday oriented music.

    It was an undertaking years ago to think thru a Christmas Past, Present and Future concept musically speaking. I had this notion that I had to be the one to do it, since no-one had musically done it before. Recording one album in a year is an undertaking, at least it was prior to AI.

    Add two more albums on top of that and it became a mad dash to get it done under the wire. In fact it released right before Christmas in 2006. In hindsight it would have been better hold off the release and done a bit more work on it for 2007.

    Fast forward to 2021 for a Pickleball themed Christmas party. I was on a court with friends and one friend in particular put Christmas Future on. As I was dinking around in the game, I said to myself: Self! It’s time to do it again.

    I put on the engineer’s baseball cap, dug out the files, and jumped into revamping the mix, added some extra holiday percussion, and dropped it again in 2022. It didn’t stop with Christmas Brought Me You, it continued with the entire 3 album release.

    The crafty artistic side of me delved into a way to make each album stand slightly apart from the 2 others in the trilogy. Not just via the songs chosen, but by how they got remixed. Which meant using different recording consoles based on the era the music represented.

    This particular song has been the theme to the longest running Advent Calendar Vlog, Grant’s Advent Calendar. It’s created a special crowd thanks to Grant! Always look forward to his original takes on opening his Advent Calendar. Which has spawned copy-cats.

    Stay tuned for next week’s recap of 2025, until then enjoy your Christmas, you holiday, your whatever-you-do time to be with loved ones.