Jody Whitesides

Author: Jody Whitesides

Song Fifteen Done Before The Super Bowl

Bing, bang, boom. Been an interesting few days with a bunch of requests for some music to fit a few commercials. Fingers crossed that at least one of them get’s pics for some of the opportunities. Yesterday I got to put the final touches on to a song that got a bit of a major rewrite lyrically. Now I have song fifteen done before the Super Bowl.

This latest in the quest for the final 18 songs is now called “Brighter Side of Success.” The original title was “Imagine Life.” Fortunately that has changed. Changed in to a much better song lyrically. Stronger. More cohesive. Also, more positive. That’s a plus. It was good to reexamine the nature of the tune and what it should have been from a lyric standpoint.

Musically, I didn’t have to change much of it at all. In fact, there were only some very minor melody/rhythm of vocals tweaks to accommodate the new lyrics. I think it was pretty darn strong musically. Though I do think I will add some stuff in the studio once all the bed tracks are tracked. Maybe a synth or two here or there. But otherwise, it’s to remain a solid uptempo pop rock style tune that stays in the bass, drum, guitar, vocal realm.

Now I can sit for a day and take in the mother of all football games – The Super Bowl. Interestingly enough on iTunes my versions of San Francisco 49’s and Baltimore Ravens “Do You Want To Play” are hot on the popular meter right now. I’m making an educated guess that fans of both teams are picking up their respective versions to pump themselves up for the big showdown!

Which team you rootin’ for? 49’s? Ravens? I’m actually more interested in the commercials and seeing huge plays. My team isn’t there, crud.

Enjoy the Super Bowl, and stay tuned for next week should see at least two of the last three, if not all three of the tunes to complete the 18 to be finalized for the recording process. Remember “Brighter Side of Success” is song fifteen done and it’s right before the Super Bowl! Hell Yeah.

2013-02-03
The NAMM Experience

You might be asking yourself, why the hell hasn’t Jody posted anything about the last four songs?!? It’s a very valid question and my response would be: The NAMM Experience.

In January of each year there’s a rather large convention that happens in Anaheim California (a majority of the time). That convention is known to the outside world as: NAMM. To us musicians it’s known as “The Giant Candy Store.” Meaning it’s like being a kid in the world’s largest candy store of musical gear. It’s a great place to geek out. If you’re into musical gear stuff that is. I am.

The other plus to NAMM is it’s a bit like a huge family reunion. Where many of us who are busy creating music often don’t get to see each other until NAMM. Yikes. My buddy Robert Navarro said in passing this year: “I know a lot of people. But Jody seems to know everyone.” It’s a bit of an overstatement. However it was funny to hear.

Let’s dive in to a little picture recount of some of it.

The pic is from a solo performance by a Doobie Brothers member doing great renditions of their songs in the Taylor Booth.

The show can’t be complete without posing with the BadCat freak of the year.

This is by far the greatest tremolo system ever invented for guitar. I’m not kidding – it’s perfect.

The mandatory badge shot…

For the inner child of mixing engineers everywhere: The Raven by Slate Audio. The coolest touchscreen mixing console.

Wanna know where audio recording is heading? To smaller devices. Namely iOS devices. Apogee is leading the charge with their mobile lines and the new king of that is: The Quartet.

The award for most unique instrument of the show is: The Wheel Harp. I can’t even explain it. But it’s very cool, with a very distinct sound.

Essentially we all hit it. The NAMM wall. Wherein you’re tired and somehow I managed to get a shot where there were relatively few people around. Feet hurt from being walked on for hours on end.

There is the little slice of what has kept me from getting to the rest of the songs. I will be diving right back in extremely soon after I finish up another interim song and a couple of things for some placements. Stay tuned.

Here’s my parting shot:

2013-01-31
Fourteenth Song Finalized Is "Things We Left Unsaid"

Gandolf the White has struck! Apparently the Weather Channel decided to start naming winter snow storms. The humor is, this one hasn’t been all that insane and yet it has a name, Gandolf. I didn’t even get to see the start of the snowing as I was holed up in the den working so I could write this: the fourteenth song finalized is “Things We Left Unsaid”. That’s right, another song into the fire from the frying pan.

This song is one of those songs that underwent a rather strong amount of changes, comparatively speaking. It got a major facelift on the lyrics so that the words were more focused. Especially the Verses. The tone of it changed from a protagonist and antagonist switch in the Verses to simply a one point of view – that really helped the focus. The Pre Chorus then got a rewrite to make that transition work going into the slightly tweaked Chorus. Mostly because the Chorus had to reflect the change coming from the verse. The other change in the Chorus came from a slight rewrite of the title. Coming from “Things Left Unsaid” going to “Things We Left Unsaid”.

Musically speaking, I decided to down-step the song a full two semitones. What brought this part of the rewrite? Well… The Verses stayed the same melodically. The Pre Chorus stayed nearly the same, there was a slight adjustment to the melody and rhythm based on the new words and wanted a better swing into the Chorus. The Chorus ended up getting an entire facelift melodically. The main reason for it was two fold. One, I wanted a way for it to stand out more from the Verses. The original version had some interesting lines but they didn’t stand too far apart from the Verses rhythmically. Now, the melody is fashioned to have a much much stronger hook. Not only rhythmically but also melodically. This is where the key change had to happen for the song. Where I took the Chorus melodically was becoming a tad to straining to sound powerful in a full voice fashion. Thus stepping the song down two semitones put it back into a range that gives the Chorus full power.

The added bonus of bringing the key down of the song is that now the guitar parts sound beefier! That helps the vibe of the groove too. I can’t explain why, but it feels way better now. Thus the fact that people liked it enough before to vote the song into the final round, now it’s become a real contender to make the final cut and be a bonafide hit.

I’m much happier with the overall state of the song. Arrangement-wise the song a way more traditional in it’s situation. However, I think once in the studio it will get a little extra window dressing. Though that comes down to how it’s reflecting once it’s finally re-recorded.

To close out for this update, I’d like to happily send you on a merry way – hopefully you’ll be one of the people to enjoy the snow, especially if you’re headed to Sundance! Until the next update (coming soon) be in-the-know that the fourteenth song to get finalized is “Things We Left Unsaid”.

2013-01-11

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