Category: News

  • Learning Curve

    Learning Curve

    I’m holed up in the studio quite a bit lately. A lot of it is putting time into things that should enhance the music I’m creating. Most specifically with video. But there’s a learning curve.

    You may not know that I originally graduated with a degree in film production. However, I never really went into the film production world after school. No, I went to more school and decided to go into music. Ouch.

    The good thing about the film background is that it gave me a working knowledge on how to deal with aspects of film/video production. Though now, like music, film is constantly changing with tech. Which isn’t a bad thing, but it does mean there can be learning curves. Since I’m wanting to get a lot done with past releases of music to marry them with video ideas, it’s given me an incentive to get Final Cut and Motion in order to put these things together.

    I’m starting to get a stockpile of lyric videos. But I had originally been having issues with the size of the output screens from Motion. Despite setting them for 1920 x 1080 output, they were coming out at 2880 x 1080. It was driving me nuts! I got on the phone with an Apple Motion customer care rep and they started walking me thru certain things. We eventually found out it was the pixel aspect ratio that was throwing things off. But the silly thing is, it’s off from the get go based on Apple’s Motion templates!! Now that I’ve figured that out, I’ve made my own templates and lyric videos will get done faster.

    I promise to drip out the lyric videos as soon as I get VEVO to me control of my VEVO Channel (long story there where it’s controlled by a 3rd party company right now). Once I get that control back in my hands, I will have a lot of official videos to put out.

    TLDR (a this point this is about another project, not musically related to my artist career);

    Beyond the videos for my music, I’ve decided to create a podcast with a good friend of mine, Chris Hellstrom. The concept is to talk about recording and production from a musician standpoint and express it from a producing and engineering perspective. We’ve been discussing the idea for a month or two and as of yesterday we recorded our first episode. The plan is to get about 4 in the can and then launch it as a weekly thing. Maybe run about 13 episodes to a season. Or if we really get rolling then continue on weekly as long as possible.

    Instead of just doing an audio podcast, which would be the easiest thing to do, I mentioned that we should combine it with video of us talking. Much like how Stern, or Rogan do their shows. Though Stern is primarily radio first, it is fun to watch them. I didn’t really realize the complexity it would add to the podcast show. That being typed, we dove in and did it anyway.

    First thing I realized is, we recorded the audio portion at 48k/24bit. Which is my 2nd favorite audio rate after 96k/24bit. However, video tends to record at 48k. Or at least most broadcast video is output with a 48k/16bit soundtrack. I opted to use a GoPro for this first episode. Massive mistake!!!

    As much as GoPro makes it easy to get video at 1920 x 1080, the audio quality and the actual 1920 x 1080 video quality both leave a lot to be desired. Mostly because the video is slightly fuzzy at full size, which it shouldn’t be. Then the audio is actually recorded at 32k. Like who the fuck at GoPro decided that was a wise choice?!? To make matters worse it only records files to about 15 minute lengths. Which means it requires a shit ton of work to make it work well in Final Cut to sync with studio audio done at 48k.

    Step one: use QuickTime 7 pro, which won’t run after Mojave, to export the file to the right video format and upsample the audio to 48k. There’s a few hours of time wasted. This prompted me to say it’s time to use the iPhone with the Filmic app. This will allow me to use a better camera, with the right FPS and the right audio sample rate. Plus it can do 1920 x 1080 without issue and won’t segment a file in to 15 minute bits. Thus it can go from start to finish. Which will be nice.

    While those files were getting converted to workable Final Cut files, I spent time learning how to do some fancy text splash videos for our opening and closing spots to the video portion of the podcast. Then I took it a step further and made an animated logo as well. This took about 4 hours of time, that had I’d been a full time video & motion graphics guy, may have only taken an hour.

    The good thing is, they’re now made and all I need to do going forward is plant them in the video outputs. So no more hours of time creating them, they’re done. I expect episode two will take about 1/10th the time it took for this first episode. I look forward to that time reduction.

    Once we’re ready to launch, I’ll announce the website here. Plus I’m pretty sure it will be available at all the normal podcast outlets, plus video on the website and youtube.

  • Memorial Day 2019

    Memorial Day 2019

    It’s a rainy Memorial Day

    In a way that’s a bit fitting for the real reason behind Memorial Day. Generally most Americans are out partying BBQing and generally enjoying a day off. Then there are those Americans who are spending time visiting the resting sites of loved ones who have given their life in service of their country.

    That’s the intent behind a song written by Greg Watton and myself. A song called Forgotten Warriors. Greg is a military vet who is fortunately still alive and walking the earth. He wanted to write a song in honor of those who have given their lives and/or given their bodies and have been forgotten. I was all in on being a part of it.

    We released it last Veteran’s Day.

    Today we released an updated remix of the song to help beef up elements of the song and make it hit a little harder and deeper than the original mix.

    Hats off and heads down while we honor those Forgotten Warriors. May you have a reflective and amazing Memorial Day.

  • Maybe You’re The Problem

    Maybe You’re The Problem

    Maybe You’re The Problem: Once Upon A Time…

    There was a pop princess that was loved throughout the land. She came up thru the ranks and wowed people in one genre then shifted to another genre. All the while, she was growing up in front of everyone’s eyes – to a height of 5’10”. Being so public her dating life became fodder for chatting around the water cooler and for the gossip tabloids. She’d bounce from guy to guy, cavorting and having fun. Much as one would do as a teenager in anywheresville the universe.

    Yet, the songs this troubadour was creating dealt with how every guy had done her wrong. That she was a victim of the male counterpart at any given point in her story. Making them out to be “the bad guy” was the m.o.

    At one point in this tumultuous time of her dating life a comedian suggested that a male songwriter ought to write a song from the perspective of a former boyfriend who had been dumped by the songstress. What he went thru. How he felt about it. And then… His response.

    That’s where I stepped in. I wrote just such a song called Maybe You’re The Problem. Recorded a demo of it and made a makeshift music video to go along with it. All in good fun. Posted it to YouTube where a PR friend caught wind of it and posted the link to the video. All of a sudden it went viral! Racking up 10s of thousands of views in a matter of hours.

    Comments started pouring in. Lots of hate filled comments defending the songstress. Others were a bit more jovial, getting the joke and the fact that its only a song and meant to be on the humorous side.

    The song remained in its little silo for a few months getting more views and more comments. Then one day, POOF! It was gone. The video had been yanked from the video site claiming violations of the end user agreement. Or rather violations that were a bit more vague. Honestly, I’m still not clear as to exactly why it got deleted.

    Shortly thereafter a lovely woman wanted to be my manager and suggested that I rerecord the song and pull the reference to the songstress out. I thought, why the hell not. I can do that. No big deal. This manager really loved the song, just not the reference. Voilá the song now exists in the world without the reference to the imaginary songstress. It’s dressed up in new sonic beauty and ready to be shared in the world.

    Which is why you’ve spent time reading this far. Be my royal fan and press play: