Tag: Behind The Scenes Songwriting

  • Rejection sure can hurt

    There’s no doubt that anyone and everyone on the planet can relate to the hurt of rejection. Unless of course you’ve got a screw loose and have no concept of E.Q.

    I don’t outwardly show a ton of emotion, but that doesn’t take the sting off of any rejection. Here’s one of the biggest stings I ever got in my music career…

    As a fan of the show Heroes, I ended up writing a song called Hero Unexpected. This was a turning point in my songwriting and production chops. I knew I had a really awesome chorus. But the verses initially were translating to people if they didn’t know the TV show. I agonized over that and had nine rewrites of them until I was finally happy with it and other people could relate to it without knowing the show.

    The recording process went equally as painstaking for me at the time. I really spent time thinking thru the arrangement. Making sure every layer of every sound I put into it would fit nicely with all the others. Most of the time up to that point I was winging it and sticking to primarily a two guitars, bass, drums, vocals thing. Expanding my potential was the goal.

    What made the recording even more fruitful was having a good friend of mine, George Leger III, who wanted to help me record the vocals. He really wanted to produce the vocal recording. He felt he could draw the right performance out of me to really make the song shine.

    We spent an afternoon into an evening as his Glendale studio where he guided me thru recording the vocals. Take after take, part after part. The lesson I learned from that session was valuable. He had a sheet of my lyrics and as we were recording it, he’d be taking notes on which take had the right inflection for each word, or phrase. Mind you I didn’t see him doing as I was singing in another room. I saw it after.

    When we finished, I took the tracks back to my studio and spent a good deal of time working on the comps and mix of the song. I may have spent close to a week, then took a little time off and would come back to it.

    As fortune would have it, in the months leading up to the finished mix of Hero Unexpected, I had befriended a mastering engineer who had won several Grammys. If I haven’t written about the lead up to that friendship, it’s probably being saved for a book on my career because it’s pretty damn random.

    Gavin Lurssen and I spoke about the song for a rather lengthy bit and talked about what I was hoping to get out of the master for it. However, the best bit about the conversation was his reaction to finding out that I not wrote and performed it, but that I had also recorded and mixed it [minus the vocal producer George]. It was a two word response that started with F and ended with U.

    Gavin did a marvelous job with the master and I was super happy with the end result.

    Fast forward some months later when I find out about Iron Man. Since people up to this point were telling me how awesome the song was for anything superhero related, I made a valiant effort to get it in front of the music supervisor for that movie. Major brownie points to the lawyer that helped make that happen, Steve, you know who you are.

    Anyway [enough of the long preamble], we were fortunate enough to get a phone call with the the music supervisor. He proceeds to tell us that he really loves the song and that it would be perfect for the movie. But… [here comes the brutality and I will quote this]: “You are not famous enough for us to be able to use it.”

    Zing. Bang. Pow. Zowie. OUCH!!

    Up to that point, I had never given a moment’s thought to a song getting rejected due to lack of fame. Usually they will pick a song because it’s the right song for the part. Then to be told that it is essentially the right song for the part, but you lack the fame?!? Oophff. That stung.

    It came back to sting me again when the movie released and multiple industry people told me Hero Unexpected would have been the better pick over the famous song they did use. There are things you can’t control. I still hold out hope that it will one day get used for a superhero movie.

    That moment really taught me rejection can hurt, but I can’t take it personally. No matter how much it hurt, I had to soldier on.

  • When Ski Boots Meet Studio Sessions: My Strange Start to 2020

    When Ski Boots Meet Studio Sessions: My Strange Start to 2020

    2020 got off to a start of injuries.

    Over the holidays I had a bizarre fall coming home from skiing. The driveway is a little sloped and I took a slightly wrong step, one leg shot out and I landed on top of my other leg. As I was going down I was thinking, please don’t break, please don’t break. Funny what we can process in the span of a split second. I could feel my bones in my lower leg start to twist. Then it was over. Maybe another millimeter and I might be in a cast right now. Instead I had a major sprain in my ankle and knee.

    6 weeks later and I’m still having moments of noticing tender movements of my ankle. Thus it’s not 100% healed yet, but getting close.

    Musically I’ve been working on finishing a multitude of projects for artists I’m producing to music I’m doing for me.

    First thing that got finished was a single for a female artist out of Utah. That was a long time coming. Happy to have it done and when the artist finally gives me a release date, I’ll make note of it here.

    Another project I’ve been working on is MūSE PC, a songwriter’s collective where I’m helping other songwriters to improve their songwriting chops. One fun project we’ve started is a group writing / recording project for a single song based on lyrics that everyone involved will get credit for.

    I have multiple singles that have various states of finish. By that I mean I have a spreadsheet of things that each song needs to have completed before I can schedule a date to release it. I have 2 that are completely in the can and done. However I’m looking to have at least 6 done and in the can before I start my release schedule. Lots of them need music videos. Which is where I need to work more on brainstorming ideas for them. Some still need lyric videos, and while I had been working on a lot of them I’ve hit a wall on one where my idea might be a tad more complicated than its execution is realistic. Thus I need to reassess if I should change it out. In the mean time you can get down with this fantastic song.

    I finally got asked to submit a composer’s reel for an upcoming film project. First time I’ve ever been asked to do so. So I had to spend some time hunting down all the projects I’ve done music for to be edited together into a cohesive unit for the project. While doing this task, I started to realize how many projects I’ve done and never got the final product sent to me. I guess I’m usually so busy moving on to the next thing that it was weird to go back and look at what I’ve done in the past.

    Now that I’ve got some of these things done, I can get back to finishing the steps for these singles. Though I’m guessing that right now it won’t be until May before I start getting more music videos finished.

  • New Music Is Coming

    New Music Is Coming

    The world is going nuts, good thing I’ve got new music coming soon.
    nightwatch

    With the recent developments of BREXIT, the upcoming election that feels like its being brought to us by Parker Brothers ala monopoly, and two police shootings that are at best point blank executions, plus the DOJ putting the nails in the coffin for songwriters, there’s no doubt that it feels like we’re coming apart at the seems. Despite all the nuttiness in the world, I’ve been hard at work creating new music.

    New Music To Release

    My next single will be released on your favorite streaming service and will be called Thump Thump Thump. Spotify is my go to streaming service. Go follow me on Spotify!

    New Music On TV

    My Nightwatch Theme is still fronting Nightwatch New Orleans for Season 3 starting this fall. Plus there is more music that I created that shall be heard in episodes of Season 3. Hear Midnight Romp on Spotify!

    There’s another new TV show coming this fall with more of my music. Hard Corps is the name of the show and its being backed by Dwayne “The Rock” Johnson. Pretty excited to see Hard Corps air!

    New Music On The Web

    If you’re a fan of Top Golf, you know, the awesome location not far from you where you can smash golf balls with friends, enjoy a drink and some food. Then you might want to trip by their website: http://topgolf.com Why? Well, to watch the opening video of course. Yours truly along with my good buddy Chris Hellstrom wrote all the music in commercial.

    In Other News

    Been making some amazing changes in the studio. I’ve picked up some amazing plugins from Universal Audio. Immediately following the new plugins I was recording a song with my co-writer Johnny Elkins. I sent him the mix of the song. He called me back to tell me his wife came to tears with the song and the recording. While the improvements are possibly subtle to most people, its those tiny differences that make all the difference to getting a performance to translate at a deeper level. Thank you Universal Audio!

    As per the image that precedes this post you can see that I have new signature picks from Dunlop. There are several new types and the most awesome part about them is that the printing on them lasts much longer. Thank you Jim Dunlop! I especially like the new white ones.

    I picked up a couple of new microphones as well. The M-80 and the M-81 from Telefunken. Put them both to good use recording music for the aforementioned TV shows. You’ll also see them on stage with me as they’re going to be my live vocal mics.

    In Closing

    I’m creating some fun playlists on Spotify. Every week I’m adding a song to Throwing Back Thursdays and Funky Fridays. <– Follow them and send me your suggestions. Oh, then there’s this playlist dedicated to shredding guitarists Shred Masters of Guitar. Did I leave your favorite shredder out?

    I’m knee deep in recreating my entire catalog of released music into my new live guitar rig. My HIVE system is completed, now I’m updating all my guitar sounds and saving them in the HIVE (MacBook Pro, MainStage, Line 6, Studio Devil, RedWirez, Universal Audio, HIVE foot pedal). Its a bit of a process but oh what fun its been to rethink how I’ll play my songs and how you’ll perceive them live. Its like being a kid in a candy store again.

    Have a great weekend!