Jody Whitesides

Tag: independent music career

Crafting a Great Song Takes More Than Talent—Here’s the Truth

It’s late at night. I’m in the studio working on different rhythms for the vocal and lyrics in a new song.

Process

This particular song has been going thru a long process of rewrites. I had the initial idea for it a good long time ago. I laid down a demo of the song, then left it in a pile of 70+ other songs that were eventually going to pulled back out and tweaked for release.

Voting

Those 70+ songs got voted on in an effort to eventually do a classic example of a album. Voted on by a select group of fans. Then I wised up and took a look at how people consume music – they listen to streaming services and singles. Understanding that led me to switching spending time on each individual song as its own entity to be polished to perfection.

Rewrite

I was poking around my hard drive of songs and realized that recent events really dictated that I pull this particular song back out and give it some serious attention. I took it out of its original hard driving hard rock format and turned it into a pop bound rocker that is much more modern in arrangement. Keeping the same drive but really adding a slew of elements to propel the song in to a much wider audience of listeners.

Lyrics

After the arrangement was up to snuff filled with little nuanced tracks, it came time to work on lyrics. The track is flowing with such force that I felt the original lyrics were lacking. The idea was there but the focus was off. Not as laser sharp as it should be; and this was already the 3rd incarnation of the lyrics. I started bouncing rewrites off of friends. I removed two lines and replaced them with a better idea. Where my first idea was saying the same thing as another line in the song (but the second line said it better). Then I changed the title / hook of the song. The original title was apparently too passive and I wanted action!

Different Rhythms

Once the lyrics got tweaked, it required retooling the melody, or rather retooling the rhythms of the verse. Why would I work on different rhythms? Primarily, I had to get used to the new flow of the lyrics. Also I want to make sure I keep the song going in a way that the listener wants to hit that repeat button to listen to the song again and again. Which is where I sit right now. I spent a couple of hours trying various ways to play with the rhythm of what I was singing. I narrowed it down to two different rhythms that I really like.

What gets me is how people react. A first reaction can tell me if I’m really on the right track. Usually I don’t bring a lot of other people in on the process of my writing, but I felt like hey, I could use some help on which different rhythms I should go with for this verse.

I already know the chorus is an anthemic banger. Yet I need to make sure my verse compels you to get to my chorus. Its that simple. Once I have which of the different rhythms I’m going with for the verse, I can start going to town on the vocals and really make it fly.

End Run

My goal is to get this particular song ready and released by January 20th. There’s a significance to that date for this song and if you’re a U.S. citizen – you would be well to know why. If not, I weep. For everyone else, its still going to be an awesome song to bounce along to and play loud and proud in an arena or your party.

2016-12-20
From First Take to Final Cut: The Truth About Vocal Comping in the Studio

Back in the studio. This time some video was captured that pulls back the mystery of vocals. Where George Leger III, Jesse Stern and I were discussing the fine points of doing multiple takes of the same line, using different emotions. All in the name of creating the best vocal to tell the story. What comes out is a frank discussion between the three of us. I make fun of a movie. Then George really runs into an electric speech about vocals. Jesse (the white hat at the bottom left of the video window) provides a little comic relief along with giving George something cool. Followed by myself relating a story from a recording session with a large songwriter’s organization. Watch what we said and did. Why? Because we’re having a good time talking about what goes into a great vocal recording.

Studio Vocal Mystery

Transcription:

Sometimes it reminds me the movie La Bomba. Dude that sounded great twenty takes ago.

That’s you know. No I’m not arguing that I know you gotta do and every little bit and piece, I’m, I’m fully there. I just think it’s funny that the brother was like he had no concept of like, it sounded the same man. It’s like, no it didn’t.

I sometimes joke when I’m comping vocals and like go in between a few different takes, how about this one, and this one. and I just look at ’em and they’ll say, they all sound exactly the same to me. I don’t know.

We all comp different, right? Like I could give you the same data, you would come up probably… well maybe we will come up with the same. Cause it seems like we’re thinking the same way I can… sense that. But some people I mean I’ll give them a track, you comp it and I’ll comp it. I’ll come back and their comp will be totally different. You know either I go for one that has a lotta little bitty edges and stuff. Little character bits and I’ll fix, I’ll tune it if I have to. But, try to get the character stuff that makes, to me makes a vocal personable; have personality, right? And I have people that just absolutely like want the note to be perfect. That’s what they’re after. That’s all they look for. Yeah. It’s like, there’s no… Cause you can fix… today we have the technology it makes it really easy to fix the note. You can fix the pitch. But you want to get that, you know you just started to do it. Your voice broke up a couple times in the first two lines. Which is exactly what I wanted to get.

Okay. So, anyways. I go for the feel like whatever makes me feel something. Yes!

Or what makes me kinda feel like I, I don’t have words anymore. Yes. And you get that little buzz too, I get a buzz when it happens it’s like I can feel it.

Well, you’re a really good producer. It’s fun to watch you work. Oh, thank you. That’s why I like doing vocal with the man. Yeah, I wanna do vocals with him.

I, I love working. I just love producing. It’s great fun. One of the things I was actually gonna say back to the vocals n something and stuff from movies and TV shows. In Canada, when they did We Are The World here. We had a song in Canada that was produced by David Foster. You know who David Foster is right Okay, do you know who Anne Murray is? yes she’s like… She’s a Canadian superstar, right? Exactly! She’s the Canadian Stevie Nicks. Yea. Sorta. She’s an… This woman has been singing her whole fucking life. She’s a perfectionist. And she can usually do it on the first take. She’s just that good. Well he goes and the same thing kinda happened with him. She got in the first two, first or second take, but he missed it. And they had this on the video that they did of the making of the thing, right? And, in the end it was like he he basically turned to her after he went 20 takes in. Listened to the first two takes and went: I’m so sorry. You did it already, I’m didn’t even hear it. And he was embarrassed.

And it was just like… Wow. It happens. Yeah. Even to the best of the best. I mean Foster is…

You’ve heard heard of Harold Payne right? Do you know who Harold Payne is? He’s a big time songwriter. And he helped write a song for Just Plain Folks. Which is a songwriters organization. Cause they did like a We Are The World. They brought in a bunch of different artists to sing different lines. And they had Alan O’Day producing, in the studio. Who’s no slouch of a writer. He’s had a couple of #1 hits. And Harold was sitting right, standing right next to me in this vocal booth. You know, to go over my line, do all this stuff. I go in. I do the first take. And I do it kinda bluesy. That’s how I thought it came across. And Allan is just going take after take and I hear Harold pull my thing back and he goes. Dude, you nailed it on the first take. I’m sorry.

Stay tuned for more peeks on the inside.

2014-03-04
“Skill Without Sacrificing Heart” — Music Connection Reviews My Work

Groggy morning. I was fortunate enough to be up late to catch the opening of Star Wars Episode III last night. But before I get to that…

I got a review in the latest issue of the Music Connection Magazine. I received some kind words and a total of 7 out of 10. Quoting from the Music Connection:

“Whitesides is a singer/songwriter whose performances and material show lots of skill and craft without scrificing heart or conviction. the lyrics for All The Things and Days of Our Lives have a knack for depicting the imagery of everyday life in interesting ways. Electric guitar licks lend a hard rock backbone to the tunes, while the artist’s soulful voice acts like fine-grain sandpaper that gives his rough-hewn subect matter some compelling contours.”

Not too shabby eh?

I want to say thank you to everyone that has been using the new ePostcard feature I’ve added to the website. I really appreciate it. All I can say is, keep on sending.

Movie Pick of the Week: Star Wars Episode III ‘Revenge of the Sith’. Ok, call me a geek. Although I’m not the most hard core Star Wars nut, I certainly can hold my own. This time around, I’m fortunate enough that my girlfriend was able to get myself and a friend into the opening night! I felt like a giddy little kid. There were people there that actually had costumes and light sabers, hey it’s Star Wars. The lights went down and Lucasfilm LTD came on the screen and the room filled with cheers. Lucas has certainly gone for the more-is-more is better in this movie. He threw the kitchen sink into tying up the entire story line. Obviously we all know what happens by Return of the Jedi. But the real questions became, how did it get to A New Hope. How did Darth Vader become Darth seems to be the biggest question. In terms of cheesy-ness, there was one scene that was so bad that it made people laugh, outside of that, it’s standard Star Wars fare. I’d have to put this on the level of the Empire Strikes Back which is my favorite episode. The special effects are certainly cool. Knowing how things came to be for A New Hope was gratifiying. Although I came across three flaws in the story-line, based on things said in episodes IV, V, & VI, it’s still a great closing chapter. Overall, if you’ve seen all the other Star Wars movies, you’ll want to complete your saga.

2005-05-19

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