Tag: independent music production journey

  • From Collaboration Conflict to Studio Magic: The Making of “Till We Meet Again”

    From Collaboration Conflict to Studio Magic: The Making of “Till We Meet Again”

    We’re quickly coming on the end of summer.

    If the trees are any indication, we’ve already hit fall. If you’re a student, summer has ended as school is back in session. Which means you’re summer romance, the fling of your life has also recently dissipated or is about to dissolve into the ether.

    Enter my new single “Till We Meet Again“, a candid song about those loves we’ve had in life that we hope to rekindle somewhere down the road.

    Till We Meet Again

    The journey of this song is one of several start and stops and finally a go.

    Originally the intent was to write an upbeat tune for a TV show and for a library. I pulled in a bass player friend of mine to co-write it with me. However, there was a bit of miscommunication and he got miffed about the situation, which ended the direction of the song as I had envisioned.

    Next I approached another bass player friend of mine, Jesse Stern, and we started working on the music. As a direction it was still to be a library track, however as we got going with it, lyrics started pouring out. He was going thru some dark stuff and was spitting out darker lyrics. Musically as it was speaking to me it had to be a bit more positive, maybe a little more longing. Suddenly we got a song that embraced all of that along with the sounds we were laying down.

    During the process of the demo we got to a section of the song and were discussing how to change one bar for it’s time signature. We spent a good deal of time trying to work out if we’d stick to the song’s common time signature (which happens to be 4/4), or go with either 7/4, 6/4, or 5/4.

    Multiple different drum fills were tried out. It was a songwriter’s producing exploration into the wild blue yonder until we finally settled on one particular fill in 5/4 that provided such a sly feel to the section of the song that it was as natural as an organic ripe tomato.

    Tracking the occurred in several studios. Namely mine for the acoustic guitars, synths, additional background vocals and drum programming. Yes, those are programmed drums. Jesse’s studio was were the bass was tracked and some additional synths as well. Finally the vocals were tracked at George Leger’s studio (Utopia Parkway Music) when it was located in Los Angeles.

    One moment during tracking stands out to me. At one point George turned around in his producer’s chair to show me his arms. The hair was standing straight up. He says to me, while Jesse is sitting there:

    “This is your Purple Rain. You’re giving me goosebumps.”

    Chances are you don’t know George. He is a massive Prince fan. So much so, that he once took me to see Prince perform when I was down in the dumps going thru some tough shit in life. It was a shining moment. I digress. George was so taken aback by the vocal we were laying down and the quality of the song that he felt it would be my equivalent to Purple Rain. My reaction was “I sure hope you’re right.” Damn right, I’d love to have a song be as popular as Purple Rain. Hell, even half as popular would be ideal.

    Another memorable moment came when George first noticed the bar of 5/4. He asked who the drummer was that recorded the part and who came up with the fill, he thought it was amazing. When I responded with, I programmed it, he thought I did a hell of a job. Very few people notice because of how natural it feels, it doesn’t feel like a bar of 5/4. This prompted a discussion between myself, George and Jesse, mainly because it was George who originally gave me the idea of adding an odd measure in a song.

    After getting all the vocals tracked, George and Jesse also sang some backgrounds. Once back in my studio, I felt I needed some additional voices for the backgrounds, so I enlisted the help of Val and Julia to sing some more parts.

    George and I tackled the mix and eventually George did the mastering (as he’s also a fantastic mastering engineer as well).

    Now it’s finally been released and is ready for your listening pleasure. I hope it gives you goosebumps like it did for George. Cause that would mean you’d tell others they need to hear and playlist it, like you will.

    More music coming soon.

  • Sydney Fireworks, Viral Videos, and Producing My First Metal Record

    Sydney Fireworks, Viral Videos, and Producing My First Metal Record

    Pick up a gig as a producer is how I’m getting the new year kicked off with a bang. Though I actually got a really great bang of a kick-off this year as I rang it in in Sydney Australia.

    https://vine.co/v/OwjzaAwQMVj/embed

    As I freeze frame the video above from Sydney, I can see a pretty brunette looking at me shooting the crowd. Funny what you catch after the fact. The other fun thing is that its the first video I’ve put online that actually had a slightly viral take. Over 234,000 views in less than 12 hours. I now understand the desire to have big numbers.

    Beyond the video, I’m sitting down to be the producer for a Utah metal band known as The Book. Chances are you’re asking yourself, why the hell would a pop/rock artist be producing a Utah metal band. One that’s slightly thrashy at that. The answer is: The lead guitarist was my first rock guitar teacher. I wanted to give back to the man that got me started down the road to musical amazingness.

    There was one stipulation to them that I mentioned prior to starting the process. They had to be open and willing to allow me to have them change anything without a fight. No, I’m not going to make them do a pop song. Instead I had them play me what they thought were their 4 best songs and I chose the one that I felt had the most potential.

    Act one: After getting the demo I chopped up the arrangement so that it would make more sense.

    Scene One: Recording the drums. That was an adventure to say the least.

    Scene Two: Editing drums.

    Scene Three: Recording Guitars part one.

    So far no issues with the process. Phrase that made me laugh the most so far, “I worked my ass off.” I merely responded with a chuckle and a quick quip stating the work hasn’t even begun yet.

    At the studio for recording the drums the engineer mentioned that he’d never witnessed a producer that actually had the balls to tell a band or band member what to do in the recording process. I let him know that the band agreed to allow me to push them in the appropriate direction as needed to get the best possible result. Besides, the ideal job of a music producer is to let band know when something isn’t working and they can’t hear it.

    So far no arguments and only a lot of hey that’s turning out really cool comments.

    Dragging an 80s style metal band into 2015 is certainly going to be an adventure for me as a producer. Thrash Metal will never be the same after this gets dressed up and unleashed on the world.

    The saga will continue.