The G League, I wonder how many fans of the NBA are actually aware of it?
Changes
There’s a few new changes in the basketball world in this past year. Actually since roughly February of 2017. Prior to that the NBA’s development league was known as the D League. Now in a multi-year deal with Gatorade its known as the G League.
Another change is the number of teams. Previously there were 17. The total now is 27.
Why do I know this
I wrote a song called Do You Want To Play that has multiple versions of the song. Like lots of multiples. I’ve done versions for basketball, baseball, football, and hockey.
Once I completed them I wasn’t sure that I’d ever pull them out again. However, the change of the league name to G League and all the additional teams left me with a gaping hole. So I dug it out.
Newer Process
My recording software has been updated substantially since I last worked with the song. One of the handiest new features is something called Track Alternatives. Which gives a producer the means to make edits to little portions of an audio without increasing the need for plugin load, or massive track counts.
I took the needed vocal file for most of the song and clipped out where I needed to update team and G League parts. This made it real easy to quickly sing new parts.
New Mix
A side effect of doing parts for the G League is a new mix. Much like the updated recording software, there are also updated plugins. All this led me to saying, I don’t want to do a whole new mix, but alas, I couldn’t stop myself.
After getting the original files transferred into a new file template, it really made sense to just do a new mix. I was able to get a crispier sound on the guitars. A little more punch and depth to the drums. There’s a bit more sizzle on the vocals and the bass gets a little deeper in vibe. Its crazy how a little adjustment in a song mix can alter the feel. These are subtle changes individually, but together it adds up.
New Master
Along with a new mixes for the G League, I have to do new masters. In case you’re not aware there is a process called mastering that provides a song recording with its final sheen and gets it to sound good on a variety of sound ups.
In the couple of years since the last compilation release, the state of music delivery changed drastically. Now instead of a single master meant for being super loud on a CD, there’s one master for Apple Music (and services that operate at -16LUFS, that’s a relative volume level for the laymen out there) and there’s a master for Spotify (and services that operate at -14LUFS).
Yes, I’m that bizarre that I do specific masters for the service the music is going to. I do that so that I’m not left wondering what the music is going to sound like based on automated volume level changes that occur to meet those service outputs.
All it really means is that the music will sound more dynamic.
Goals
I’m currently doing all the master outputs as I’m writing this. Listening intently for any output errors. Thus one goal is to make sure I release this set of songs before the next season starts. Thus if you’re a fan of any team in the G League, I do hope you’ll stream your team’s song.
Looking into contacting Gatorade’s marketing team, as I do have an advertisement idea as well.
Oh and I’d like to get in touch with various team’s marketing departments to talk about doing a pregame performance of the song for fans of the team.
Looking forward to the G League’s season later this year!
As I’m closing in on the songs that will wind up on the next release, I’m looking into other aspects of things that need to be brought into order. I put out calls to the musicians that I will be hiring to record the other instruments. I’m planning on going as live in the studio as I can for this next excursion into recording. I’ve talked the drummer. I’ve talked to the bassist. I’ve talked to the 2nd guitarist. I’m still putting out feelers for backing vocals. Beyond the studio I’ve been revamping my business plan into a shiny new PDF file. This is the point where I say: help me find angel investors.
Actually the reality is, I’m looking for investors in general, Angel or otherwise.
Do you know of such people? Would you be willing to link up a musician who has all the pieces of the puzzle to make things happen? I’ve got the proper connections to make a go of taking my act on the road and being successful with it. The only missing element is the money to make it happen. Being so inclined to make that link, I’m more than happy to sign an NDA. I’m also inclined to have you point them to the following special page: On Records Investor Proposal.
It’s not for the faint of heart. So please only do so if you’re serious.
For you, the helpful fan and music buff who wants to see a musician make it to the top without a label and with your help, I’ll make it worth your while. Details only given to those who are absolutely serious about this. It’s not a joke. Please contact me and lets get the ball rolling. Be a part of the magic and watch what happens!
For everyone else interested helping out. There is going to be a kickstarter campaign coming for helping to raise the money for the recording part of it. At this point, I’m looking at raising nearly $15,000 to cover recording costs, in about 4 chunks. Videos and details will be coming very soon.
So not only am I asking you to help me find angel investors, I’m also asking for you to be one as well.