Tag: Microphone

  • Vocal Experiments

    Vocal Experiments

    Now that I’m back in the studio, there’s been a desire to do some vocal experiments on my part.

    Signal Chains

    One of the things that producers worth their salt will do is experiment with different combinations of gear. Though there’s still some bronchitis to deal with, I have been getting a few hours here and there to try out some new signal chains and see how they affect the sound of my voice.

    Thanks to modern technology, its actually extremely easy to try out a much wider range of gear without the insane costs. Thank you Universal Audio and the Apollo system!

    Vocal Experiments

    There’s a project for TV music where we’re in the final phases of recording and mixing. In this project I’m spending some time to run some vocal experiments to hear the differences of what comes out. My most recent chains have included and API vision strip into an LA-2A. Then the absolute newest chain has been a Neve 1073 into a Studer Tape Machine followed by an LA-2A. Each lends itself to a different vibe. Don’t think I don’t realize that those gear terms likely all sound greek to you. They’re all geek to me!

    vocal experiments

    The image above is of my current favorite. What makes it strange is that when I solo a vocal recorded with this chain, it actually doesn’t sound all that great to my naked ear, but in the right track… It causes the vocal to sit like I can’t believe. The ultimate in vocal experiments, when you think the sound is bad, but its oh so right for the song.

    Daring Covers

    Along with the plethora of original tunes for this project are 10 cover songs that are so different from the originals that it may blow your mind. Hell not even may, they will blow your mind. A few of them are very different vocal experiments for me. It all comes down to figuring out the right way to present each song so that it has the right twist to give the song a double entendre.

    And therein is my one reason to ever do a cover, to give it a new meaning!

  • Till We Meet Again K4 Setup

    Till We Meet Again K4 Setup

    setup-k4-jody-whitesidesCome with me inside RA Audio studios as we set up a Taylor Guitar’s K4 EQ. Here’s an outtake from the recording of my upcoming single called “Till We Meet Again” as Robert Navarro and I go through the pre-production of my Taylor 615ce. The amazing thing is that it didn’t take a very long time to plug in the guitar, plug in the K4, wire it to the pre-amp. Of course Robert and I spent a bit of time listening to several settings then proceeded to make a few minor tweaks. Then it was off the race, or rather off to the recording track.

    Watch the video and find out what setting we used on my K4 EQ to get one extremely awesome sound for the acoustic guitars on “Till We Meet Again”. Yes, in the final mix down of the song I did use a combination of the K4 direct sound mixed with the KM184 Sennheiser microphones. Definitely a very awesome addition to the sound of great acoustic guitar recording.

    Till We Meet Again K4 Setup

    YouTube player

    Transcript:

    The whole concept of, what did I use for this recording? For Taylor Guitars website.

    Right now we’re about to set up the sound for the direct sound coming out of the 615 that I’m going to record for “Till We Meet Again” into the infamous Taylor Guitars K4 equalizer.

    And Robert and I, who is currently the owner of RA Audio, are about to set all of this up. He’s waving at you. And, get the sound happening. And then we’re recording through a couple of nice Sennheiser KM184’s that… [you’re welcome]

    Thank you.

    That I got for Robert. Uhm. So yeah, we’re about to do some pre-production on getting the right sound. Then we’re gonna do a track.

    So let’s get started.

    One second he says.

    Wish I had a remote. Tink. Tink.

    Ok, should I bring some treble down and the bass up?

    That’s sorta nice? Well, I don’t want sorta. I want bad ass nice.

    Back off a little on the bass. Ok, this is half of what the bass was when I raised it. So that’s a nice direct tone? Wow! No mid or anything huh?

    Interesting.

    So for all those out there in Taylor land who want to know the K4 setting that I just used. We’re probably talking 12:30 on the bass, on the low end. We’re looking at about 11 o’clock on the high. And the mids? Nada. Zero. Center all the way. The volume is set at medium, like right at whatever 12 o’clock is.

    So the K4 is set, for the 615ce.

  • Recording Industry Poker Tournament

    Recording Industry Poker Tournament

    Happiness is getting together for a good cause. It’s even better when you’re doing it with a game you enjoy. It’s even better when it becomes a networking event where you can meet additional people beyond those who you know. Especially when you already know quite a few and it’s in your business. Such is the case of the Recording Industry Poker Tournament. It was a charity event that I partook in.

    The outcome?

    Well, I won!

    Click Here to read the story.

    It was a heck of a lot of fun. I’m happy about the outcome and I look forward to attending again next time.