Tag: preparing songs for studio recording

  • Finalizing “You Can’t Hear”: Hybrid Rap-Rock with Live Drums and New Hooks

    Finalizing “You Can’t Hear”: Hybrid Rap-Rock with Live Drums and New Hooks

    Call it a momentary lapse of reason. I have realized that I didn’t give a timely update on when I got the last couple of songs done. I’m writing it now, song seventeen finalized is “You Can’t Hear”.

    There is no excuse. I got wrapped up in throwing together another tune for fun. I’ll give the update about that track in the new few days for sure. Mostly likely Tuesday.

    For “You Can’t Hear” it got a little bit of lyric treatment. Not much. Minor tweaks and a setup for another section where I’ll be bringing in a rapper who’ll knock it out of the park.

    Sonically the song is getting a bit of a makeover. I’ll be tapping a keyboard playing friend that lift the chorus to new heights rather than sticking with the clavinet part I’ve got. I believe I’ll also run with live drums on it instead of the programmed sounds it’s set with. Mostly due to the fact that it’s hybrid rap and rock.

    That’s about the size of the changes there. I’ve got one more song to be talking about in regards to this next release. Stay tuned, but for now, you’re in the know with the fact that song seventeen finalized is known as “You Can’t Hear”.

  • When a Song Finds Its Focus: The Story of “Stand My Ground”

    When a Song Finds Its Focus: The Story of “Stand My Ground”

    Productive day yesterday. Got a lot of calls made. Emails sent. Even got to finally sit with a bit of a tune and spruce it up. That would be why I can say song sixteen finalized is Stand My Ground.

    This particular song underwent a slight transformation. I had to tweak a few of the lyrics. I felt it needed a little more cohesion in the presentation of the words. It’s now got that. Such that it remains universal and personal at the same time. Without being overly vague. Though it still has a strong sense of metaphor. Which is to say, I hope it’s not too clever in it’s telling of a story now.

    The arrangement got shortened a little. I decided it didn’t need the Pre Chorus going into the second Chorus. It appears only before the first Chorus.

    Sonically, I’ve made my notes of things that I wish to have happen once I hit the studio to be recording the final version. In the meantime, I’ll be sitting down to song 17 today, it’s got very minor tweaks. Who knows I might be announcing it tomorrow. Then I’ve saved the toughest song for last…

    For now, you’re in the know that the sixteenth song finalized is Stand My Ground. Have an awesome day!

  • From Good to Great: The Songwriting Overhaul of “Things We Left Unsaid”

    From Good to Great: The Songwriting Overhaul of “Things We Left Unsaid”

    Gandolf the White has struck! Apparently the Weather Channel decided to start naming winter snow storms. The humor is, this one hasn’t been all that insane and yet it has a name, Gandolf. I didn’t even get to see the start of the snowing as I was holed up in the den working so I could write this: the fourteenth song finalized is “Things We Left Unsaid”. That’s right, another song into the fire from the frying pan.

    This song is one of those songs that underwent a rather strong amount of changes, comparatively speaking. It got a major facelift on the lyrics so that the words were more focused. Especially the Verses. The tone of it changed from a protagonist and antagonist switch in the Verses to simply a one point of view – that really helped the focus. The Pre Chorus then got a rewrite to make that transition work going into the slightly tweaked Chorus. Mostly because the Chorus had to reflect the change coming from the verse. The other change in the Chorus came from a slight rewrite of the title. Coming from “Things Left Unsaid” going to “Things We Left Unsaid”.

    Musically speaking, I decided to down-step the song a full two semitones. What brought this part of the rewrite? Well… The Verses stayed the same melodically. The Pre Chorus stayed nearly the same, there was a slight adjustment to the melody and rhythm based on the new words and wanted a better swing into the Chorus. The Chorus ended up getting an entire facelift melodically. The main reason for it was two fold. One, I wanted a way for it to stand out more from the Verses. The original version had some interesting lines but they didn’t stand too far apart from the Verses rhythmically. Now, the melody is fashioned to have a much much stronger hook. Not only rhythmically but also melodically. This is where the key change had to happen for the song. Where I took the Chorus melodically was becoming a tad to straining to sound powerful in a full voice fashion. Thus stepping the song down two semitones put it back into a range that gives the Chorus full power.

    The added bonus of bringing the key down of the song is that now the guitar parts sound beefier! That helps the vibe of the groove too. I can’t explain why, but it feels way better now. Thus the fact that people liked it enough before to vote the song into the final round, now it’s become a real contender to make the final cut and be a bonafide hit.

    I’m much happier with the overall state of the song. Arrangement-wise the song a way more traditional in it’s situation. However, I think once in the studio it will get a little extra window dressing. Though that comes down to how it’s reflecting once it’s finally re-recorded.

    To close out for this update, I’d like to happily send you on a merry way – hopefully you’ll be one of the people to enjoy the snow, especially if you’re headed to Sundance! Until the next update (coming soon) be in-the-know that the fourteenth song to get finalized is “Things We Left Unsaid”.