Tag: Production

  • Learning Curve

    Learning Curve

    I’m holed up in the studio quite a bit lately. A lot of it is putting time into things that should enhance the music I’m creating. Most specifically with video. But there’s a learning curve.

    You may not know that I originally graduated with a degree in film production. However, I never really went into the film production world after school. No, I went to more school and decided to go into music. Ouch.

    The good thing about the film background is that it gave me a working knowledge on how to deal with aspects of film/video production. Though now, like music, film is constantly changing with tech. Which isn’t a bad thing, but it does mean there can be learning curves. Since I’m wanting to get a lot done with past releases of music to marry them with video ideas, it’s given me an incentive to get Final Cut and Motion in order to put these things together.

    I’m starting to get a stockpile of lyric videos. But I had originally been having issues with the size of the output screens from Motion. Despite setting them for 1920 x 1080 output, they were coming out at 2880 x 1080. It was driving me nuts! I got on the phone with an Apple Motion customer care rep and they started walking me thru certain things. We eventually found out it was the pixel aspect ratio that was throwing things off. But the silly thing is, it’s off from the get go based on Apple’s Motion templates!! Now that I’ve figured that out, I’ve made my own templates and lyric videos will get done faster.

    I promise to drip out the lyric videos as soon as I get VEVO to me control of my VEVO Channel (long story there where it’s controlled by a 3rd party company right now). Once I get that control back in my hands, I will have a lot of official videos to put out.

    TLDR (a this point this is about another project, not musically related to my artist career);

    Beyond the videos for my music, I’ve decided to create a podcast with a good friend of mine, Chris Hellstrom. The concept is to talk about recording and production from a musician standpoint and express it from a producing and engineering perspective. We’ve been discussing the idea for a month or two and as of yesterday we recorded our first episode. The plan is to get about 4 in the can and then launch it as a weekly thing. Maybe run about 13 episodes to a season. Or if we really get rolling then continue on weekly as long as possible.

    Instead of just doing an audio podcast, which would be the easiest thing to do, I mentioned that we should combine it with video of us talking. Much like how Stern, or Rogan do their shows. Though Stern is primarily radio first, it is fun to watch them. I didn’t really realize the complexity it would add to the podcast show. That being typed, we dove in and did it anyway.

    First thing I realized is, we recorded the audio portion at 48k/24bit. Which is my 2nd favorite audio rate after 96k/24bit. However, video tends to record at 48k. Or at least most broadcast video is output with a 48k/16bit soundtrack. I opted to use a GoPro for this first episode. Massive mistake!!!

    As much as GoPro makes it easy to get video at 1920 x 1080, the audio quality and the actual 1920 x 1080 video quality both leave a lot to be desired. Mostly because the video is slightly fuzzy at full size, which it shouldn’t be. Then the audio is actually recorded at 32k. Like who the fuck at GoPro decided that was a wise choice?!? To make matters worse it only records files to about 15 minute lengths. Which means it requires a shit ton of work to make it work well in Final Cut to sync with studio audio done at 48k.

    Step one: use QuickTime 7 pro, which won’t run after Mojave, to export the file to the right video format and upsample the audio to 48k. There’s a few hours of time wasted. This prompted me to say it’s time to use the iPhone with the Filmic app. This will allow me to use a better camera, with the right FPS and the right audio sample rate. Plus it can do 1920 x 1080 without issue and won’t segment a file in to 15 minute bits. Thus it can go from start to finish. Which will be nice.

    While those files were getting converted to workable Final Cut files, I spent time learning how to do some fancy text splash videos for our opening and closing spots to the video portion of the podcast. Then I took it a step further and made an animated logo as well. This took about 4 hours of time, that had I’d been a full time video & motion graphics guy, may have only taken an hour.

    The good thing is, they’re now made and all I need to do going forward is plant them in the video outputs. So no more hours of time creating them, they’re done. I expect episode two will take about 1/10th the time it took for this first episode. I look forward to that time reduction.

    Once we’re ready to launch, I’ll announce the website here. Plus I’m pretty sure it will be available at all the normal podcast outlets, plus video on the website and youtube.

  • Chandelier By Sia

    Chandelier By Sia

    chandelierWho knew that my horizons would get expanded by a Chandelier?

    Happiness is knowing that you can learn, grow and expand. Such is where I’m heading in my own career. Even as little as a few years ago I would have never been into hyper lush production of a song. At least not beyond getting a good sound and making a good blend with a standard type of band setup and maybe adding a few additional sounds. Now I’m checking out songs that are humongous arrangements with track counts that number well over 48. Ones that have awesome sounds in them built in layers and layers. Such is the case with Chandelier sung by Sia. The production on this tune was achieved by Jesse Shatkin and Greg Kurstin.

    What I really enjoy with this song is phrase “1, 2, 3, Drink.” There’s a really clever use of prosody in music with that part. It’s something that a musician would appreciate, but the consumer would just think “oh that’s cool.” What happens where she’s singing 1, 2, 3 is that the vocal is parsing in triplet quarter notes over the beat. Three counts getting a division of three across beats – as I said: clever. The melody soars when it hits the word Chandelier, which also has a sense of prosody thanks to the fact that Chandeliers tend to hang from a ceiling up above.

    Sonically, there’s a ton of ear candy and while a pop song doesn’t have to be chock full of ear candy to be good, said ear candy can take a good song with a memorable melody and push into great. I could listen to this on repeat and be happy.

    Chandelier by Sia

    YouTube player

    Party girls don’t get hurt
    Can’t feel anything, when will I learn
    I push it down, push it down

    I’m the one “for a good time call”
    Phone’s blowin’ up, they’re ringin’ my doorbell
    I feel the love, feel the love

    1,2,3 1,2,3 drink
    1,2,3 1,2,3 drink
    1,2,3 1,2,3 drink

    Throw em back, till I lose count

    I’m gonna swing from the chandelier, from the chandelier
    I’m gonna live like tomorrow doesn’t exist
    Like it doesn’t exist
    I’m gonna fly like a bird through the night, feel my tears as they dry
    I’m gonna swing from the chandelier, from the chandelier

    And I’m holding on for dear life, won’t look down won’t open my eyes
    Keep my glass full until morning light, ’cause I’m just holding on for tonight
    Help me, I’m holding on for dear life, won’t look down won’t open my eyes
    Keep my glass full until morning light, ’cause I’m just holding on for tonight
    On for tonight

    Sun is up, I’m a mess
    Gotta get out now, gotta run from this
    Here comes the shame, here comes the shame

    1,2,3 1,2,3 drink
    1,2,3 1,2,3 drink
    1,2,3 1,2,3 drink

    Throw em back till I lose count

    I’m gonna swing from the chandelier, from the chandelier
    I’m gonna live like tomorrow doesn’t exist
    Like it doesn’t exist
    I’m gonna fly like a bird through the night, feel my tears as they dry
    I’m gonna swing from the chandelier, from the chandelier

    And I’m holding on for dear life, won’t look down won’t open my eyes
    Keep my glass full until morning light, ’cause I’m just holding on for tonight
    Help me, I’m holding on for dear life, won’t look down won’t open my eyes
    Keep my glass full until morning light, ’cause I’m just holding on for tonight
    On for tonight

    Enjoy your day and the song!

  • White Men Discussing Rap

    White Men Discussing Rap

    SPM-south-park-mexicanWhat could be more out of wack than three white men discussing rap music? That’s right. Jesse Stern starts us off with an off the cuff remark about rap music and George Leger III takes over discussing the state of modern rap in Southern California. Don’t get me wrong. There’s a lot of rap I like for it’s originality, it’s beat, it’s wild-blue-yonder approach. Yet listening to George talk about the artists he’s hearing about from the youth group he works with, is definitely an eye opening and mind expanding situation for myself and Mr. Jesse Stern.

    Find out my expression and how I react to a group that I’ve never heard of. Actually all the groups that George mentions are groups I hadn’t heard of until he mentioned them. Jesse takes it all in stride. What ended up happening afterwards is that I’m now more aware of some of the new modern rap coming out of Southern California. Not necessarily a bad thing.

    What say you? Who is rapping stuff so awesome that you can’t believe they’re not uber famous yet? Give me some names so I can flesh out my measly commercial rap collection.

    White Men Discussing Rap

    YouTube player

    There’s a lot of really cool rap out.

    Productionwise it’s so minimalistic.

    Uh Hmmm.

    That I… it’s like driving on ice.

    Do you do a lot of rap?

    I do where I work ’cause the kids, that’s what they want to do.

    That’s what the kids are doing these days…

    They’re not producing music. They don’t even know what music is. Well, that’s not true. I can’t really say that, ’cause… You know. They. It’s been really intriguing with them to try and turn them on to other kinds of music.

    Uh Hmmm.

    And other stuff because they’re so into this ridged little clique of music. ASAP Rocky, fuckin’ ah, SPM, South Park Mexicans. Yeah.

    Is that a band or a style.

    That’s a band.

    Ok.

    I was about to say if that’s a style, it’s way off my radar.

    There’s a band down in Orange called FUNK.

    They’re just called FUNK?

    They’re just called FUNK. And like all the gangsta kids love ’em. They’re all like, I want FUNK man. I hear it. Like who the fuck is FUNK? FUNK is the they’re a band man.

    Funk is that guy right there. He got the funk.

    Well, they’re, you know. Eh, South Park Mexicans, SPM, there’s like four or five guys, that’s all they talk about when they talk. ASAP Rocky is one of them.

    Give me some more rap to check out in the comments.

    Enjoy your day!

    – Jody