Tag: song

  • Creative Time Cut

    Creative Time Cut

    It’s been an odd day. I woke to a feeling of not wanting to get out of bed, which isn’t common for me at all. Likely it stemmed from lack of sleep and a developing issue of an eyelid with irritation. The one thing that brightened my morning was a random tweet by Lisa Loeb. She appreciated my tweet about Ed Cherney passing yesterday (Tuesday). I wrote a tweet to her in appreciation and she responded. That little gesture from her was super sweet.

    Mind you, she doesn’t follow me on twitter. It’s highly likely she doesn’t remember me auditioning to play guitar for her on a tour. She also probably doesn’t remember when we bumped into each at NAMM talking to a mutual friend. Either way, she’s a lovely person and it brightened my day.

    I felt like a task master getting rolling. Chris Hellstrom and I got our second podcast/broadcast recording in the can today. Compared to the first episode last week, this episode went substantially smoother. I pretty much had the outputs of the audio and video within an hour of finishing the recording. Compared to the 8 hours it took last week. that’s a huge savings in time. Massive creative time cut.

    My goal for next weeks episode is to have everything output and ready for releasing within 30 minutes of getting all files. But that might be a little optimistic, as it does take time for Final Cut to export the video. Then for me to upload it to YouTube. And we’re only doing episodes in 1080. Imagine if it were 2k or 4k. It’d probably take a bit longer.

    As I was waiting for Final Cut to export the video and Logic to export the audio for the podcast, I worked on yet another lyric video output for the vertical lyric video version for Hero Unexpected.

    Once all those outputs were done, I shifted gears back to checking the mix for another single. A song that I co-wrote with Manda Mosher. I made a couple of minor tweaks to my mix and deemed it done. Thanks to some new mixing templates, I was able to output multiple mixes at the same time. Passed it over to mastering and got a master back shortly thereafter.

    I sent a copy of the song to Manda and another friend Jesse Stern who played bass on the recording. Both of them enjoyed the mix and the song. I’m looking forward to getting the song into the release schedule for next year. We’ll see when. I’m also looking forward to hearing Manda do an Americana version in her style. I think she’d do a killer rendition of it too.

    No, I’m not using something like LANDR for mastering, I think that it’s a joke and I don’t believe in it – and no I wouldn’t recommend using it. But I am working with a mastering setup that can do a fairly quick turnaround with a great sound.

    When I look back at the work output for this day, a podcast, a podcast video (both of which are an hour long), a lyric video, and a song single. It feels like a pretty damn productive after a late start for a day where I didn’t want to get out of bed. That seems pretty impressive as I’m looking back on the day. And I’d like to thank Lisa for the kind words and response that helped set the day on a good path.

  • When Good Monitor Goes Bad

    When Good Monitor Goes Bad

    When Good Monitor Goes Bad

    A couple of nights ago I was working my way thru the re-recording of a song demo. It started with a guitar part that maybe 2 people in this town could play, me being the other one. There I was going knee deep into the studio zone of percussion. I had finished the drum parts when I started to take on adding additional epic cinematic drum hits. Midway thru the 3 track of said epic drums there was a sudden quick drop in volume and low end.

    Boop.

    Gone.

    missing-monitor

    Where Did It Go

    I tilt my gaze over to the left side of the studio thinking that maybe a Gremlin, or quite possibly a house elf, had taken the monitor speaker to another dimension. Alas my eyes weren’t being deceiving as the monitor speaker was still there. Dammit.

    Nothing like losing half the sound right in the middle of the take.

    Next up was an endless series of troubleshooting steps. First thought was, hey, maybe the power went out. Flip the switch on and off, still no sound. Maybe something went out in the monitor volume device. Nope. After switching the cables between speakers it was still showing as working out of both outputs for the remaining speaker.

    Call A Friend

    Pensive, not quite panicked, phone call to a fellow studio friend. Explain the problem of the monitor speaker. Words come drifting back thru the speakerphone saying “Did you check the fuse in the speaker?”

    Hmmm.

    I take another gander at the speaker’s enclosure. Search high and low. Up. Down. Left. Right. Front. Back. Nada. There is no fuse for the speaker to blow. Dang it.

    Website Visit

    Knowing that the speaker is no longer manufactured, I grudgingly pull up the website to see if there’s information about getting repairs and to peruse the what-replaced-this-model version of their speaker line.

    After drooling over what could replace the model I have in the studio, I make a note to Siri to remind me call the company in the morning to get a repair ticket going.

    monitor-brother

    Here Come The Headphones

    The disappointment of a monitor giving up soon abates. How do I proceed with my next recording session? A recording that needs to be recorded, mixed, and mastered before 11 am the following morning.  Hmmm. In come the headphones. There is no other choice after a certain time of night when all normal humans have gone off to visions of sugarplums and cherries.

    Producing high quality recordings via headphones isn’t the most ideal means. However, when the chips are down and the music must go on, you make do by crossing your fingers and hoping for the best.

    It All Works Out

    I got the session done. Turned it over to the co-writer for the purposes of submission to a distant land for a commercial use. When you get feedback stating “It sounds great.” You thank your stars that you didn’t have to attempt to mix without some form of stereo sound.

    The beauty of it is, the speaker company is able to repair the monitor for a price considerably less than the new alternative. The added icing on the cake is that you now have an in to chat about possible endorsement. That’s priceless.

    In Closing

    I can’t wait for you to hear the fruits of this labor. Unfortunately you will have to wait until sometime early in the new year of 2017. There’s still more recording and production that needs to be done. Ooh, and mixing it. Finally mastering it. Its a process that will be interrupted by a little thing called Christmas and New Years.

    Stay Tuned.

  • Thumping In A Song

    Thumping In A Song

    Thumping in StudioThumping right along… That’s what I’ve been up to with getting these singles done and finished with my co-producing friend George Leger III. We put the final touches on yet another song called “Thump Thump Thump”.

    That put’s the count at 3 songs completely finished.

    The excitement is building as the impending release of single #1 draws nearer. Amazing and magical is how I describe it. The word that those few who have heard it is: Wow!!!

    Pretty cool responses. Most of the time, music doesn’t make people say “Wow!!!” Now it does.

    Thumping

    How do I contain the restraint to releasing it? Good question. This is by far the absolute longest I’ve had to sit on a finished product. Main reason is not for building hype. No, it’s more simple than that. I really want to make sure the song gets the best possible launch it can have. That unfortunately takes time. Time, that a lot of people don’t have the patience to control.

    Heck, I’ve had moments where I’m like, Fuck It! Lets do this!

    Then the moment passes and I remember that there’s a plan. It’s a good plan. A winning plan based on those who have been asking and talking with me about it.

    At this point we’re on to single #4, it’s so close to finish I can practically taste it…