Jody Whitesides

Tag: NAMM

2016 Is Off To A Crazy Start

2016 NAMM

2016 is off to a crazy start.

It began with a quick set in Sebastopol CA just after the holidays. Immediately after that it was a quick stop home, then off to Los Angeles for the NAMM show. My favorite mass event to attend. Its like a Guitar Center on Steroids. For the 2016 NAMM I was only able to attend for a single day – the first day. In hindsight, it was a good thing. I made sure to zip thru the show and make face time with all my endorsements.

I did spot a couple of new things that caught my eye. One is the StageClix wireless system. The first one to operate on the 5.8GHz band. Plus it rechargeable with 100 meter range. Oh and it’s all digital.

The plugin that caught my eye was the E2 DeEsser. It appears to be a hyper intelligent DeEsser that can tell the EQ curve when to turn on and when to be off so that it is not effecting the rest of the track when it’s not needed.

I’m also going to be picking up the Trim Two by Radial. I’ll be sticking it inline after my Apollo Twin for my live performances going forward in 2016. In case you missed it, I’ve gone digital with my guitar sounds (acoustic and electric). But as I’ve already learned, my computer is often way too loud for PA output. Go figure! Thus the need for a highly transparent but durable direct box!

One other item I picked up was the Oasis Humidifier. Previously I’ve been using two humidifiers in my guitar case but they couldn’t keep up with the needs of the guitar. In steps the Oasis Humidifier and for 2016 my guitar will be keeping properly hydrated. Thanks guys!

I will also be adding the Telefunken M-80 to my vocal lineup in 2016. I need a kickin mic to do some of my looping parts and this mic will fit the bill nicely.

2016 Sundance

Right after NAMM closed on Thursday I was back on the road and headed to Park City for the 2016 Sundance Film Festival.

It started with a very cool dinner put on by White Bear PR and SESAC. I got to hang with some amazing composers like John Swihart and Carla Patullo. We enjoyed some amazing food at Cafe Terigo and discussed all kinds of things from music to life.

Over the course of Sundance I did multiple performances at venues like The Spur and Flanagans. Audience reaction was favorable. To the point that I’ve been asked to score a film that is in the final stages of funding. I’ve also been asked to do some co-writing with some peers that I’d really like to write with. That’s an awesome thing!

One last perk is that a manager has decided to start courting me about managing me.

What’s Next

I’m in the midst of working out the next video for the new single Thump Thump Thump coming soon. Thanks to Sundance I’m seeing about the particulars of making it a VR video as well.

If you haven’t seen Nightwatch on A&E yet, what are you waiting for?

2016-02-10
NAMM 2015 Recap

Having escaped NAMMthrax I’m going to recount some of the fun I had at NAMM 2015.

NAMM

I’m a fan of NAMM. Its a bit like experiencing Guitar Center if it were on Steroids. A lot of steroids. The main reason I go is to see all the fun new gear. Usually I’ll go for 3 days, on occasion I’ll go all 4. This year I only took it in in 2 days. Partially due to scheduling and partially due to seeing if I could fit everyone in that I needed to in 2 days. Hindsight says it was too short a time for how much I had to see and do.

For the cool new thing, this year I think hands down it’s gotta go to Omnisphere 2 by Spectrasonics. I already use Omnisphere, so this is a very cool update. Looking forward to when it drops.

My surreal experience of NAMM occurred on Saturday. I was walking along when I hear “Hey Jody, do you want a pen?” I turn to look and its Dave Pensado offering me a pen while standing outside the Izotope booth. For the non music world, Dave Pensado is a premier top level mixing engineer who has mixed some of the massive hits you’ve heard on radio. The shocking thing was how tall he is. For some reason I always pictured him to be like 5’9″, but he’s easily about 6’2″. Nearly as tall as me. We chatted briefly and then he did a presentation for the amazing new Izotope plugins Ozone 6, Alloy 2, Trash and more. Super nice and friendly guy.

The other great thing about NAMM is seeing certain people that for some reason I don’t run into other than at NAMM. Great time to catch up on what other fellow musicians are creating!

I did happen to see a purple microphone by Sennheiser that matched the purple shoes that I’ve got. Check that featured image for this post where I’m posing with the microphone. Think I need to color coordinate my mic and shoes?

I also helped to create a slogan for one of my endorsers. It’ll be interesting if Studio Devil starts using “Studio Devil, putting amps into storage for years.”

Stay tuned, more musical stuff is coming.

2015-01-29
Damn I Missed It But We Can Still See It

Don’t you hate it when you’ve missed something awesome? If you’ve been following me for at least the last two months or longer, then you know that I was in Anaheim for the NAMM show in January. The show/convention is so damn large it’s impossible, not virtually but truly impossible, to see everything that goes on. As it turns out, one of my favorite musicians was there and I had no idea. Grrrr. Ian Thornley is a powerhouse of a writer, guitar player and singer. Powerhouse! Not only was Ian there, but he also performed at a private party for an amp manufacturer Suhr. I’ve heard of their amps, though I’ve never played one. A few nights ago as I was prepping the video I released this week as part of the recording process for vocals on a new single – I came across video of Ian’s performance at NAMM. It’s so damn amazing that I had to share it you all.

So many live performances sound so horrible that live music can often leave a lot to be desired. However, when you watch this, you should be floored by how awesome it sounds. I know I am. It sounds like a freakin’ recording. That’s how tight, how solid, how rich, how in tune these guys are. Remember, this is live, and it’s a band that had one rehearsal (it’s not Ian’s regular band). This is why I love playing with awesome professionals. They make it look and sound easy – and it is if you’re like Ian. There’s a real joy when working with musicians who transcend to this level. I remember my first album and how I wanted to be able to pull it off live – to sound just like the record. Wish that band could have stayed together, they had the calibre.

Blown Wide Open Performance I Missed

Do yourself a favor, go buy his music. Go see him live.

2014-03-06

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