Not long ago I came across a new form of capos. In galaxy very close by. Actually it was this galaxy. More specifically it was in a town known as Anaheim. The Anaheim that sits in the California region of the planet earth. Capos are a funny business. Lots of musicians use the cheapest products they can find without thinking about how they affect the sound. I always look for the thing that will get the great sound. Oddly enough capos and the kind you use can make a difference. Which is why on such a faithful day where I found out about a company called G7th and their capos, I instantly made the switch. Why? Because they’re awesome. Actually it had a couple of better reasons. First their weight. They have a good solid weight to them. Second, their ease of use. They work on some kind of engineering magic where you can set the tension as simply as closing your fingers. That way it doesn’t clamp down too hard on the strings and push them out of tune. It’s a love thing.
Today I’d taking you into the studio for a little clip about my upcoming song “Till We Meet Again” wherein you see me making use of the G7th’s awesomeness. Click on that video and realize I too use capos to get the proper key and sound for a guitar and my voice.
So if you’re looking for badass capos, especially the one I use – then you need a G7th. You won’t regret it!
Capos And Recording
Yeehaw baby.
I think we’re ready. Let me double check my tuning real quick.
technically with the panning you don’t need to pan the microphones in my headphones
as we’re recording. That’s what I’m saying you can turn them back to center.
Alright. Let’s see if we’re
all set to go. That sounds beautiful my
head.
There’s a little drum pattern that starts at what? Bar 3? You can set the record button to
the song position line to start there
‘Cause that’s a two bar count in for me and I start at 5. Do what? A one bar pre-roll? That’s fine. As long as I know it’s two bars.
We were in love…
and it was magic.
happy
Not long ago I made a post about She Looks So Perfect and the band 5 Seconds Of Summer. Well, now I done went and made an acoustic cover of the song. I guess I just ended up liking it way too much to leave it alone. Thus I set up my video camera, my lappy with Logic, the awesome Telefunken C12 and plugged my guitar into the mic pre – hit record and away I went!
What you’re getting is unadulterated recording of me singing a fun pop rock tune out of Australia.
Plus I decided to have some fun with a video filter. I figured it kinda fit the vibe or at least created a new vibe that says hey, I can change up the look of the image for fun. Of course, I probably should have thought about it a little longer, but who cares?
She Looks So Perfect
Hey, hey, hey, hey
Hey, hey, hey
Simmer down, simmer down
They say we’re too young now to amount to anything else
But look around
We worked too damn hard for this just to give it up now
If you don’t swim, you’ll drown
But don’t move, honey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I’m so down
Your lipstick stain is a work of art
I got your name tattooed in an arrow heart
And I know now, that I’m so down
Hey! Hey, hey, hey, hey
Hey, hey, hey
Let’s get out, let’s get out
‘Cause this deadbeat town’s only here just to keep us down
While I was out, I found myself alone just thinking
If I showed up with a plane ticket
And a shiny diamond ring with your name on it
Would you wanna run away too?
‘Cause all I really want is you
You look so perfect standing there
In my American Apparel underwear
And I know now, that I’m so down
I made a mix-tape straight out of ’94
I’ve got your ripped skinny jeans lying on the floor
And I know now, that I’m so down
Hey! Hey, hey, hey hey
Hey, hey, hey, hey
Chorus 1
Hey! Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I’m so down (hey!)
Your lipstick stain is a work of art
I got your name tattooed in an arrow heart
And I know now, that I’m so down
Enjoy and pass it around!
I feel like I’m sitting on pins and needles wondering about Touch and if things will come what may for it. Which leads me into a new song coming out from Ian Thornley and his group Big Wreck. In the course of his music, it’s more progressive sounding than his progressive past.
What do I mean by that?
Some of my favorite songs by Ian are song that are very different in their rhythmic structure. My favorite where he mixes odd time with a tune has to be Ladylike. There’s such a cool combination going there. However, this new song of his Come What May is pushing that balance into an uptempo number that feels like it could be some sort of pop style rock song. Unfortunately it contains chords and movements that will cause most people to scratch their heads. Unlike most of his melodies, this one isn’t instantly catchy, but damn it sure has a cool movement to it.
Come What May
Break off a little piece of happiness
No body gets hurt more or less
Whatever it takes to get you through
The night is gonna have to do
Under the weight of daily bread
You’d rather wake to cake instead
Would you believe a photograph
Was all it took and all that’s left
Of missing pieces
I throw myself in the river
I need to wash my head and float away
‘Cause I know that I’ll be delivered
Everything cast adrift
Come what may
I’m fed up with the pace of saving face
I’m squeezing what I can’t replace
Fiddled with the fire ’til I got burned
With all I’ve lost you’d think I’d learned
By missing pieces
I throw myself in the river
I need to wash my head and float away
‘Cause I know that I’ll be delivered
Everything cast adrift
Come what may
I throw myself in the river
I need to wash my head and float away
‘Cause I know that I’ll be delivered
Everything cast adrift
Come what may
I throw myself in the river
I need to wash my head and float away
‘Cause I know that I’ll be delivered
Everything cast adrift
Come what may
Enjoy your day!
Who knew that my horizons would get expanded by a Chandelier?
Happiness is knowing that you can learn, grow and expand. Such is where I’m heading in my own career. Even as little as a few years ago I would have never been into hyper lush production of a song. At least not beyond getting a good sound and making a good blend with a standard type of band setup and maybe adding a few additional sounds. Now I’m checking out songs that are humongous arrangements with track counts that number well over 48. Ones that have awesome sounds in them built in layers and layers. Such is the case with Chandelier sung by Sia. The production on this tune was achieved by Jesse Shatkin and Greg Kurstin.
What I really enjoy with this song is phrase “1, 2, 3, Drink.” There’s a really clever use of prosody in music with that part. It’s something that a musician would appreciate, but the consumer would just think “oh that’s cool.” What happens where she’s singing 1, 2, 3 is that the vocal is parsing in triplet quarter notes over the beat. Three counts getting a division of three across beats – as I said: clever. The melody soars when it hits the word Chandelier, which also has a sense of prosody thanks to the fact that Chandeliers tend to hang from a ceiling up above.
Sonically, there’s a ton of ear candy and while a pop song doesn’t have to be chock full of ear candy to be good, said ear candy can take a good song with a memorable melody and push into great. I could listen to this on repeat and be happy.
Chandelier by Sia
Party girls don’t get hurt
Can’t feel anything, when will I learn
I push it down, push it down
I’m the one “for a good time call”
Phone’s blowin’ up, they’re ringin’ my doorbell
I feel the love, feel the love
1,2,3 1,2,3 drink
1,2,3 1,2,3 drink
1,2,3 1,2,3 drink
Throw em back, till I lose count
I’m gonna swing from the chandelier, from the chandelier
I’m gonna live like tomorrow doesn’t exist
Like it doesn’t exist
I’m gonna fly like a bird through the night, feel my tears as they dry
I’m gonna swing from the chandelier, from the chandelier
And I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
Help me, I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
On for tonight
Sun is up, I’m a mess
Gotta get out now, gotta run from this
Here comes the shame, here comes the shame
1,2,3 1,2,3 drink
1,2,3 1,2,3 drink
1,2,3 1,2,3 drink
Throw em back till I lose count
I’m gonna swing from the chandelier, from the chandelier
I’m gonna live like tomorrow doesn’t exist
Like it doesn’t exist
I’m gonna fly like a bird through the night, feel my tears as they dry
I’m gonna swing from the chandelier, from the chandelier
And I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
Help me, I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
On for tonight
Enjoy your day and the song!
Nothing is more annoying than a noisy mouse in the headphones. Recently in the studio while getting ready to start knocking out vocals for American Mayhem and we had an issue with a hum type of noise going on in the headphones. This makes for unpleasant recording. Not to mention that it also can be an issue if it’s being recorded on to the track in question. Adding noise from an unknown source isn’t always a great idea.
Find out what was causing the noise to occur. A kind of noise that flares up when the mouse is being moved. Nothing like a bad noisy mouse, however, that was a result of the issue, not a root for the cure. We did find it!
Noisy Mouse In The Headphones
Transcript:
What are we up for George? What are we looking at?
I just hear some weird hum.
Very briefly.
Yeah, it came and then it kinda went.
I can kinda hear your mouse moving.
Yeah well…
Mouse noise is what I’m saying. Not like the actual physical noise. I’m hearing in the system.
Somethings tweaked in the system.
That seems a bit quieter.
Yeah, well the transformer was on the audio cable.
Sittin right on the cable? Yeah, that’s bad. Studio badness. Do not put your audio cables right on a transformer.
Oh yeah. Much better.
Much better.
Ok. We’ll be recording now. Shhhh.
Red light ‘s going on.
No squeaky chairs. No nothing.
I’m usually a hermit in the studio, but I’ve opened up a little and had a little episode of backseat producing that led to a discussion that involved Manolo Blahnik shoes. In the past, I rarely let people in the studio while I’d be singing. Hence the reason why I’d produce them myself. I’m changing things around. Especially since I’ve been having George Leger III producing vocals for me.
Another first happened during the vocal recording session of American Mayhem. I allowed my buddy Greg Nicholson and his girlfriend to sit in while I was recording vocals with George at Utopia Parkway studio. Greg and I have written songs in the past. But he’s never sat in on recording with me as the artist. George has one rule – which quickly gets reminded to Greg as he offers up some advice.
While waiting for George we get into a discussion about the Apollo by Universal Audio and shoes by Manolo Blahnik. All of this prior to Greg and his girlfriend are about to go watch the World Cup football (soccer) between USA and Portugal. See, he’s for USA and she’s for Portugal. I’m sure that was an interesting match for the two of them. As we all now know, that was a moving match.
Backseat Producing And Manolo Blahnik
Transcription:
Are you’re P’s coming out okay?
Pah. I don’t know.
‘Cause you had a lot of P’s. So I was just wondering how.
Oh yeah, they’re not popping in the mic.
Ok. Cause sometimes I have to like turn my head just a little bit when I’m singing a P even with a pop filter.
Shhhhh.
Sorry.
Shhhhh.
Ha ha ha.
You’re a guest. Not a producer.
No side, no backseat driving.
Exactly. Please. We have work to do. Okay, here we go again. Ready?
Yes.
Mumbo jumbo. It makes people go really?
Really?
Really?
In other words…
Why do you need this?
It’s like so when you start updating your studio and she’s living with you at some point in the future. I’m projecting here. And Greg’s like “I need to buy this.” and you’ll be like “Really? Really?”
Remember, that’s what George and Jody said.
This stuff does make a difference.
Do I get a pair of Manolo Blahnik’s?
Of what?
Manolo Blahnik’s.
I don’t know what that is.
Really nice shoes.
Oh. Okay.
I don’t even know what the hell that is. But like, Okay.
A pair of nice shoes is that what that is?
Yeah. They cost quite a bit.
Alright. So, you get the toys in the audio gear. She gets the toys in the shoes.
That’s only fair.
Right.
I believe in this. I believe in being fair.
But here’s a question. How much are those shoes?
Between $300 and $500.
Oh yeah.
Whew.
Alright.
That’s totally fair.
Per pair. How much is what you want to get?
The Apollo? How much is that Apollo? About $2500?
That one? $2799 plus tax. No. $2500 plus tax.
I was thinking between somewhere between $2500 and $3000. Yeah, that’s what I was thinking.
I was like, we already shook, we already negotiated this deal.
I did not know how much that cost!
I don’t know how much your shoes are, but I’m thinking my thing is 10x of what we just negotiated.
Dammit!
ha ha ha ha.
Fair trade. Fair trade.
Well, now I have to get the most expensive pair of Manolo Blahnik’s now.
No I think it’s only fair that you would get at least a dress.
Ha ha ha.
To go with the shoes.
Okay.
Yes.
Alright.
That’s only fair.
Ever spill radiator fluid while driving? Generally this will happen if it’s damn hot out and your driving the vehicle hard. Yesterday, I wasn’t really driving my car super hard, nor was overtly hot, however I had got onto the 405 freeway heading south for a meeting at Universal when I saw a little splurge of radiator fluid hit my windshield. Immediately it was followed by a beeping noise that the car was getting pretty warm. I started to see steam come out of the vents, so I immediately rolled down the windows.
As I neared the top of the hill, I coasted the car towards Santa Monica to let it cool off as much as I could. Not many exits going south on the 405 right now in the Sepulveda pass, mostly due to construction. I managed to make it to the 10 and get off at the exit I needed for getting to Universal for my meeting. However, I did have to finally park the car and walk the rest of the way. It wasn’t getting enough air to justify driving it to keep it cool. I popped the hood and saw that the hose had slipped off the heater core.
I called the office I was about to meet to let them know I’d be there a little late as my car broke down and I’d be walking it. They were understanding and said whenever you get here, it’s fine. Whew.
The meeting went well.
Afterwards, I was able to find a friend in Santa Monica who could bring a screwdriver and a gallon of water. I examined the engine again, to find that the hose to the heater core bib had broken clean off. More or less disintegrated, and broke. The good thing was – there was some plastic left I could connect the hose back to. That allowed me to fill the radiator fluid, start the car and get it somewhere else to be fixed.
Talk about an inopportune time for a breakdown. Glad they were understanding.
Breakdown
It’s all right if you love me
It’s all right if you don’t
‘Cause, I’m not afraid of you running away honey
I get the feeling you won’t
There’s no sense in pretending
Your eyes give you away
Something inside you, is feeling like I do
We’ve said all there is the say
Breakdown, honey go ahead and give it to me
Breakdown, honey take me tonight
Breakdown, I’m standin’ here can’t you see?
Breakdown, it’s all right, it’s all right, it’s all right
It’s all right if you love me
And it’s all right if you don’t
‘Cause, I’m not afraid of you running away honey
I get the feeling you won’t
It’s okay, if you must go
‘Cause, I’ll understand if you don’t
You say goodbye right now, I’ll still survive somehow
Why should we let this drag on?
Breakdown, honey go ahead and give it to me
Breakdown, honey take me to the night
Breakdown, I’m standin’ here can’t you see
Breakdown, it’s all right, it’s all right, it’s all right, baby
Breakdown, honey go ahead and give it to me
Breakdown, honey take me to the night
Breakdown, I’m standin’ here can’t you see
Breakdown, it’s all right, it’s all right
Breakdown, honey go ahead and give it to me
Breakdown, honey take me to the night
Breakdown, I’m standin’ here can’t you see
Breakdown, it’s all right, it’s all right
Breakdown, ohh baby
Breakdown, ohh baby
Ohh baby, breakdown
Breakdown
Breakdown
Breakdown
Hopefully your car never does this to you.
Yesterday I had what could be called an LA moment. I was on the phone to business setting up a lunch meeting while sitting in my car parked on a street about to go into a restaurant for another meeting I was about to have. All music related. As I’m one the phone, I notice a homeless man sitting in the dirt off the sidewalk in the corner of a walled area. He was about 20 yards from me. He sat up, which is what got my attention. Then he looked wearily around like either in a drunk stupor or a sleepy daze. He then proceeded to remove his pants. It was right then that I told the person on the phone “I’ve seen a lot of things in LA, but I’ve never seen this.” They asked me to describe it. Yikes.
The poor soul took his pants off, lifted his legs into the air while on his back and let his junk fly free in the wind. I did not take a picture. I also didn’t think it was a wise idea to confront him about his situation, he did seem like he could fly off the handle at any given moment despite his daze.
I’d liken it to a train wreck. You don’t want to look, but you’re unable to ignore it. Don’t ask if I took pictures. I didn’t. Nor did I take video.
Fortunately he did put his pants back on. Then laid back down to sleep.
The humor I impart today is that there is a song called “Always Something There To Remind Me” – this holds so true for Los Angeles.
LA Moment with Naked Eyes
I walk along the city streets you used to walk along with me,
and every step I take reminds me of just how we used to be.
Well, how can I forget you, girl?
When there is always something there to remind me.
always something there to remind me.
As shadows fall, I pass a small cafe where we would dance at night.
And I can’t help recalling how it how it felt to kiss and hold you tight
Well, how can I forget you, girl?
When there is always something there to remind me.
always something there to remind me.
I was born to love her, and I’ll never be free.
You’ll always be a part of me.
If you should find you miss the sweet and tender love we used to share.
Just go back to the places where we used to go, and I’ll be there
Well, how can I forget you, girl?
When there is always something there to remind me.
always something there to remind me.
I was born to love her, and I’ll never be free
You’ll always be a part of me.
’cause there is always something there to remind me.
always something there to remind me.
always something there to remind me.
Enjoy your day and may it be memorable!