Every musician out there has at least one other musician that has influenced their musical perspective.
Stealing From One Source
It’s been said that mediocre artists steal entirely from one source. Hence my opening line that we all have at least one influence. I remember very distinctly a music teacher that uttered those very words about mediocre artists when I was learning as much as I could about music. His point was – don’t be mediocre.
Stealing From Everywhere
One the flip side it’s also said that great artists steal from more than one source, or with my twist – everywhere. This is where I’m going to divulge at least 5 musicians that had varying degrees of profound impact on my guitar playing and my musical sense. Believe me, I’m well beyond the 5 musician mark of “stealing” ideas from, but I don’t wish to overwhelm you with them all.
1
Seriously, there is no order to this, but I gotta start somewhere and the first guitarist is Joe Satriani. His guitar abilities and his musical sensibility are, to put it mildly, out of this world. Which is probably why one of my favorite albums of his is called Surfing With The Alien. Joe’s writing is insane for what is almost an entirely instrumental career. His melodies are often very memorable and his rhythmic sense is top notch. If ever there were a guitarist alive today that I’d want to do an instrumental album with as a co-writer and co-player, Joe is it. Hopefully I can make this happen before he kicks the bucket.
2
May the force of the original be with you. The original guitar made by your own hands that is. See, the next guitarist was so cool that he made his own instrument with his father. He also helped create some of the most memorable tunes in history with a little known band called Queen. This would be Brian May. Like Joe, I have not met Brian. Though I have met a band mate of his. Despite that, Brian has heard at least one story about me through someone we both know. How the hell that came up in a conversation is beyond me.
Despite that, I heard that he was flattered in regards to the story as it did relate to me playing his guitar parts. Would I love to meet him? You bet. Would I love to write a song with him? You bet. Like Luke, his chordal and theoretical musical abilities are incredible.
3
Eddie, Eddie, Eddie… As much as I’d like to humor you and say I’m referring to Eddie Wilson, I am in fact referencing a very different Eddie. Rather, it’s Eddie Van Halen. I did make a a post recently about how some of my career has paralleled Eddie’s. Which was a rather bold thing to say looking back on it. Maybe not so much paralleled as has some similar things about how we both approach music from a work ethic and sonic desire standpoint. Sadly Ed has passed, but his music and his insane guitar wizardry has been captured and archived for the world to remember him by. If you need a reason for his influence on me, it would be rhythm. Yes he was known for his wild solos, but his rhythmic sense was way beyond most guitarists. I believe that has rubbed off into my ethos as well.
4
Luke! No, he’s not my father. That’s the nickname to the 2nd guitarist that I would say had an indirect but amazing impact upon my playing life. I write indirect because I never truly studied his playing, but there is no doubt that his writing and playing has had a profound impact well beyond those that are even aware of his name: Steve Lukather. Even non-musicians know his music. His chordal and melodic sense are amazing. His improvisational skills are jaw dropping. To boot, he’s a funny human being and a super cool guy to hang out with. There’s a story I can relate at some point in the future. Until that day I get the gumption to write about our initial meeting, you’ll have to Hold The Line.
5
This is a goddamned toss-up so I’m going to mention two name in this paragraph and by no means is this a definite list. If I were to write about this at another time, I’d likely have 5 other names on the list. So here they are rubbed together like two buffalo nickels: Steve Nuno Vai Bettencourt. Oops, I mishmashed them a little too much. Steve Vai and Nuno Bettencourt. When you want a guitarist who has passionate chops for days, that’s Steve Vai (a student of Satriani) who also had the pleasure of working with Zappa.
Man, just thinking about him brings up several stories. Yes, I’ve met and hung out with him and that’s a post for some time in the future. When you need Extreme chops you don’t need to look much further than Nuno. His rhythmic chops rival those of Eddie, but he goes somewhere all his own. Which is the name of the game. I’ve also had the pleasure of meeting him and seeing him play live on multiple occasions. He’s definitely a force. It’s those rhythmic things that he imparted on me as well.
There it is
As I’ve mentioned if you were to ask me about 5 guitarists at any other time, you’re likely to get another 5 answers. There’s two many amazing guitar players out there. At least now you have some perspective on my musical perspective based on just 5 guitar players that have had some sort of impact on my career.
Little by little, bit by bit, step by step. It’s a different storyline that is starting to develop here. I’m setting up shop. Here’s the proposed roadmap…
I’ve never really been one to blatantly sell merchandise from my website. From a show, sure. But not from my website. At this point I’m looking back at things and thinking to myself – I’m a moron. If someone is interested in what you’re doing, why the hell not offer something in exchange for a little cash?
I’ve had this long standing view of it always being about the music, only about the music. In one sense it’s noble, in reality that’s stupid. A lot of missed connections with you. It probably has left a cold feeling between us and I’m a much warmer person than that and I know you are too.
Getting into this world of e-commerce is a process, at least for me. I’m learning as I go. Don’t we all? I know I need to keep it simple and I should be proffering things on the front of the store that are directly related to my latest release. They probably teach that in Marketing 101, setting up shop 101 or something of that nature 101 at university.
However, I’m not that organized outside of the music. Which means, you’ll have to bear with me as I slowly add things to the store and figure out how to sort them appropriately. The easiest thing for me in this initial phase is transcriptions of songs. Namely my songs. If you’re a musician and you purchase things like Guitar Magazine for the transcriptions (something I used to do when I was a budding musician), you know that often it was hard to get super accurate transcriptions. The beauty of my transcriptions is that they’re exactly what I played on the recording, because I’m the one doing them and I’m pretty sure I know what I played. I better, I wrote this stuff. And if you’re really into it, MP3 downloads of singles. Of course I’m offering them at a price that makes sense – the amount I’d make if you didn’t buy it on iTunes or somewhere else where they still sell music downloads. The store front makes this fairly easy for me and for you. So that’s a plus.
My next steps as I add more transcriptions and singles is to do Deluxe Digital albums. You know, kinda interactive like. With original album art, liner notes, lyrics, photos, some videos and full blown audio with the stories behind each song. As I’m sitting here writing this, I’m thinking I should do this for singles too.
I’m also going to be setting up shop for limited run T-shirts. Meaning you can be one of a lucky few to get a particular print of a shirt before they sell out and can no longer be found. Add baseball caps to that as well. For the sports minded fans of mine, I’m going to be doing Jersey’s that can be customized with your name on the back.
This is just the beginning. There will be more.
Sitting here waiting, like I’m on the remarkable long road, for my studio machine to export video to a podcast. As if I don’t have enough to do. Much like you. As I’m twiddling thumbs waiting on the export, I’m thinking about the vocals I’ll be tracking later tonight. Then I got the wild idea of writing a random stream of thoughts instead of filling my head with things I can’t control.
That’s not entirely true, I could control when I tell the computer to crunch the video / audio data. I could even stop it right now if I desired. However, that would be putting the work off until later. Experts call that – procrastination. I’m not a good procrastinator.
Knowing that I have a data backup that I need to do tonight as well, I opted to let the machine do its thing while I get some busy work done for the podcast. Getting the YouTube page ready. Getting the website page ready. Writing out the description of the episodes coming up for Tuesday and Friday. Monday has become my relegated Podcast prep day.
Yet another facet to my musical life, passing on the knowledge I’ve learned about recording, mixing, mastering music. The remarkable long road of a career musician who puts in too much time.
Speaking of which, I read an article earlier today about a famous musician that passed away a couple of weeks ago. Of course the initial tributes that came out for Eddie Van Halen were warranted. I wondered how long it would take for the dark side stories to start cropping up. I had heard some of them prior to his death – the music business isn’t that large. Then again, it isn’t that small either. Today was that day. I came across an article written by a film maker talking about his time spent with Eddie.
To paraphrase, there were DEFCON one moments and apparently kinda often in his remarkable long road of a career.
One of the things I learned in reading the article was Eddie’s work ethic. It was tireless. Borderline merciless. Which got me thinking…
I know there are several musicians who have played with me that would agree to the following statement. I am notorious for doing long rehearsals to make sure everyone knows their part. I don’t care how long it takes to get everyone on the same page, so long as they really want to be working on the music. I often would rehearse songs for hours and hours on end. The goal was to make playing the music, the songs, 2nd nature to the point where I didn’t have to think about it for it to be done right.
Pushing myself for that type of practice and rehearsal is normal. That’s how I roll. Unfortunately I also expect from the musicians that I play with or who play with me. Some handle that well, many don’t. Which leads to frustration on their part and on my part. I expect people to do their musical homework. To come prepared. I always feel like I’ve let other musicians down if I haven’t gotten the music memorized and into muscle memory before a rehearsal. I don’t want to rely on reading charts.
Turns out, Eddie had this type of drive too, according to the filmmaker. I had no idea. I figured he was an alien. However, one paragraph struck me. I’m paraphrasing here but, Eddie would play guitar when writing/recording songs 15 to 18 hours a day, then sleep. As if sleep were only there as a necessary evil. He’d go to sleep for several hours, get back up and go back to the studio and the guitar. Doing it day in and day out.
In the studio he would expect the same of the the musicians. He expected they would put in the same work he did. Often, they didn’t and he’d get bummed out. Did you know Eddie played the bass on all Van Halen records other than Van Halen I? Learned that today too…
Oh that is so familiar to me. I work alone much of the time as I find I can get things done quicker that way. Not always true, but often enough. I learned to sing, because I couldn’t find a singer with that kind of work ethic.
When I do work with others, whether I’m bringing them on for something I’ve written, or I’m producing another artist – the most common phrase I hear is: Damn, I’ve never worked so hard in the studio. I’ve got multiple stories of musicians like that. When striving for that type of perfection, it can take a toll. Especially on others. I know I’m not the easiest guy to work with musically, based on that work ethic. Though I have had multiple musicians that prefer to work my gigs because – I’m consistent, I know what I want, and they don’t have to guess. I will always go back to guys and gals that I’ve worked with who can handle the work.
Getting asked how I’ve managed to make a remarkable long road career out of music, I think it stems to that work ethic.
BTW – **ding** my export is done and I need to get on with the uploading of the video and podcast audio, so that in an hour or so I can get to tracking vocals. Have a great evening!
I was in the middle of working on another post when the news of Eddie Van Halen passing away jumped out at me as a notification on my computer screen. WTF?!?
As a guitar player, that kinda hits pretty hard. Mainly because he was one of the most influential guitarists in the history of guitar. It was common knowledge that he did have throat cancer, but last I had heard he had it beaten back. Apparently that really wasn’t the case, or maybe I misinterpreted the prior news when it was first announced he had gotten it and was dealing with it.
Whatever the case may be, the world of music has been smashed in the face yet again in 2020. I texted a friend immediately on seeing the news asking: can 2020 get any more fuckin worse? People are making “bingo” cards of all the crazy shit that could happen in 2020 – I’m guessing no-one had Eddie Van Halen dying on their playfield. I certainly didn’t.
In the grand scheme of the world, most people may never understand.
What makes it kinda crazy to me is that there was a point early on in my career where I had a parallel to Eddie. While attending music school a buddy of mine, Justin Sayne, wanted one of the pickups out of my first guitar, a Fender Squire Strat. We spent an afternoon in my apartment pulling the strings off, the pick guard off and then he took his drill out with a massive drill bit. See he wanted a fender single coil and was willing to give me a humbucker in exchange. We had to drill out the body of the guitar in order to fit the humbucker into the space where the single coil was previously ensconced.
It was true guitar hackery in its basest form. No measuring tools, no router, just pure human eyeballing of how deep and wide to drill into the wood each time as we removed wood. It looked absolutely awful when we got done. Then we had to hack the pickguard. Again, no router, no means of measuring other than placing the pickup on the pickguard and outlining where the intent was to melt it out with a soldering iron. Yeah, you read that right.
There we were in a studio apartment with a hot soldering iron trying to be delicate with staying on the line to punch out multiple holes to remove the excess plastic to fit the pickup in. It smelled awful and stunk up the place. Once we got done with melting it out, we had to sand it smooth so it didn’t look excessively stupid.
We got it all wried up and reassembled. That was my trial by fire to modify a guitar. Much like Eddie’s infamous frankentstein guitar. He built that from scrap parts and assembled it to be something that he wanted that wasn’t really on the market. Of course when we did this there were plenty of guitars on the market that were Fenders with two single coils and a humbucker. As a starving music student, you don’t have the option of picking up new guitars all the time. So it was born out of a trade of necessity.
Over the years I made additional modifications to the very same guitar.
After music school I opted to give it a custom paint job. This was an undertaking not unlike Eddie’s as well. He was notorious for stripping guitars and spray painting them with various colors. Mostly using tape and making bold shapes. My adventure was a tad different. Having a father that is known as one of the most influential graphic illustrators in art history, I had a bit more of a guided approach. Once I pulled the guitar apart, it took me days to remove the cherry red paint job that Fender had originally given the guitar. Days. Days of hard sanding. It felt like forever getting all the layers of that shit off. Once I got done with removing the paint I ended up thinking I wanted a single humbucker pickup instead of the 3 pickup guitar it was.
Next step was filling in the unneeded pickup holes. That took a few days as well. It took a lot of wood filler and time to dry. Despite taking my time, I still managed to screw it up. The wood filler shrank more after the paint was put on and if one looks closely at the body, the outline of the old pickup holes can be seen.
My dad tried to research what type of paint he should use for the images that were going on the guitar. We didn’t really have a direct line to any guitar manufacturers at that time, remember I was still learning how to play. Even though I knew this is what I wanted to do with my life, I was a total unknown from a small town. Eventually someone told him to use auto body paint for its durability. He bought some different colors that were needed for the paint job and started to make his stencils for the scene depicted on the guitar. Once he started painting with his airbrush, he got a bit agitated. What the problem was is, auto body paint is super thick, not very viscous. He clogged his super expensive airbrush meant for much more delicate work. It took time to clean it out and then figure out how to thin out the paint and stop it from clogging the apparatus.
He got the image done and we took it somewhere to put a clear coat on it. I’m guessing it was auto body clear coat. Not the kind of clear coat that guitars would normally get. Something in the clear coat process muffed up the image of the snake in a spot or two. My dad had to paint over it a bit more to fix it, then we sent it out for more clear coat. Again, something that you wouldn’t see from a distance but up close you can see a bit of the layers in the paint job, which kinda gives it a bit of 3D effect up close.
I call it my Desert Guitar. You can see why.
That wasn’t the end of the modifications. While Eddie eventually had multiple guitar makers fanning all over him to be his next guitar maker, I had my friend Justin. Eddie’s Frankenstein guitar got laser measured to be able to match the feel of his well worn neck. Modern tech allowed Ernie Ball to computer cut new guitars to feel like his monster. For me, I haven’t reached that point. However, at one point in an airport while hanging with the boys from The Boogie Knights, the guitar player John was playing on my Desert Guitar. He loved the feel then took one look at the headstock and said: That looks so 80’s metal.
I had a moment. A moment of like, fuck I don’t represent that and I don’t want my guitar to scream that either. I got on the phone with Justin as he was making guitars for a living (still does). The neck I had was a “Jackson” style Warmoth replacement neck for Fenders. I said, can we do something about the headstock to make it look less 80’s metal. Justin asked me to send the neck to him. Once home I whipped that neck off the guitar and shipped it out to Justin. He asked if I had any ideas and I said: just make it look not metal. I didn’t have a plan and modifying something like a headstock isn’t really the easiest thing. Justin did what he could and sent it back to me.
At first I was like WTF happened?!? Justin lopped off the pointy end and put some strange grooves in the front of it, which meant a need to put the machine head for the high E string somewhere else. I didn’t want to buy a new neck because much like Eddie’s main axe, I had this neck broken in to feel great when playing. So I had to learn to enjoy the new look. I also had to get used to the fact that the machine head for the high E operates backwards from how most bottom of the headstock machine heads work because it was originally on the top. I still use it this way now.
I’m not sure if Eddie ever loaned his guitars to friends. He probably did. Wolfie, Alex, Valerie, Ted, any of you know? Due to my living arrangements, meaning that I lived with Jeff Scott Soto, I had multiple musicians in my orbit and lot of them were awesome guitar players. Because I was the resident guitar player and had quite a few guitars in the condo, my axes would give picked up and played by more players than I. Lots of guitar players aren’t very good with this, but it never bothered me.
The Desert Guitar was always the one people tended to gravitate towards. I can think of a couple of reasons for this. One, the paint job. Two, the headstock. Three, the simplicity of it, it had a single humbucker and one volume knob. Four, it sounded really damn good. Whatever it was, guitarists that played always wanted to borrow it for recordings. I was happy to oblige if I wasn’t using it. Thus my Desert Guitar has been on even more recordings than I used it for.
The weird thing is, nothing about the guitar screams well built, accurate measure, etc. What I mean is, it should sound awful and feel like shit. The exact opposite is true. It feels great and sounds great. We all know Eddie’s guitars sounded great and people that buy the worn in versions from his template say they feel great too. Which goes to show, you don’t always need a perfect instrument to be a great player or to sound amazing.
Now that I’ve spewed all that out while listening to Van Halen for the past couple of hours. I’m going to leave you with this…
We’ll always have the legacy that Ed left, but its highly unlikely there will ever be a guitarist as mind-blowing as Ed was. He took the instrument places most people will never go. For that we should all be grateful. There are those of us who will really miss you Eddie Van Halen. Thank you for doing what you did and how you did it.
We’re all in a state of what the fuck right now. Knee deep in the era of COVID-19 where people are lost. The smart ones are sheltering in place, especially where they’ve been ordered to. The bold one are going on with their lives like they’re invincible and it won’t get them. The worriers #1 are running around wondering if they’re going to fall ill. The worriers #2 are scared the economy is going to collapse. At least this is the vibe I’ve been getting from the media and from a plethora of social media posts. You know the kind, where you can pretend you’re having a scintillating conversation and hoping that you’re going to change the other person’s mind. Though the reality is, they think you’re stupid and visa versa.
I have a lot of musician friends who are scrambling because all their gigs dried up. They’re not making money. So they take their live show online to live stream it and are now part of the cacophony of all the other artists doing exactly the same thing at the same time. Yes, I’ve done a live stream or two, only due to being asked to do it. I didn’t promote them and yet they still garnered some viewing numbers that surprised me. The reason why might be having recording quality sound live, not just a laptop mic.
This led me down a path of looking into means of doing more of them, but as a show. Research is also the name of my game. I’ve put my learning cap on and figured out how to expand it plus make it easier to do. Those first two were a pain in the ass because it involved too many steps. Not any more. What’s the plan for the show, two songs, some chatter chat chat and a cover. No particular order.
Do I plan on promoting it prior to doing it. No.
Reason? I’m tired of promoting things. There’s a happy place for me in the process of creation. The unhappy place is the promoting of myself because I’ve done something. Totally antithetical to any unknown musician. All you ever hear is how awesome they are. How brilliant they are and then you listen and the reality of it all smacks you in the face. Not all musicians are awesome. That’s unfortunate simple reality.
Yes, the internet and computers have made it so anyone with an inkling can cobble something that might resemble music together. But is taking pre-made musical bits and pasting them together, then cackling over the top of it really being a musician? Not really. It might make you an ok arranger, but it’s not really making music is it? No.
Lest I digress. I’ve recently been relegated to a typical nincompoop musician who has nothing to say. By someone that doesn’t even know me. That isn’t the bothersome thing. I can relate, meaning I concur. Most musicians today can’t form cohesive thoughts as they’re working on their brand and posting on social media X amount of times because some ‘expert’ decided that’s what had to be done to gain an audience and become an influencer. The music isn’t the focus. Uh. No. Fuck that.
Why do bands from the past, pre internet influence era, tend to have large listenership? Because the music is that fuckin good that people what to hear it. Do I have music that is on par with that? I’m pretty confident in my abilities. I leave the rest up to others to spout off about my creations. Though sometimes I do get caught up in the self promotion thing, out of lack of options. At this point I want to stop that part and concentrate only on the creation. Cause if what you create isn’t turning heads, then blowing your own horn is a waste of time.
Which is something I brought up with another friend who is getting into the music business. He made a comment about a podcast I launched with my friend Chris Hellstrom in April of 2020. This friend felt we needed to say: subscribe to our podcast, from within the podcast. To promote ourselves. When I brought that up to Chris, he said the same thing I feel about it and along the lines of what I’m writing now, that is – if what we’re doing isn’t compelling enough for the listener/viewer to hit the subscribe button without us saying it, then we’re not doing a great job and should stop. Thus, we aren’t likely to start self promoting from within the podcast. All the podcasts that I listen are like that – no ridiculous internal self promotion.
Gear shift
See the world has splintered so much and it’s all coming to head with COVID-19. It’s impossible to be all knowing any more. There’s way too much out there and there’s no gateway any more. It’s an ocean and a whole lot of it is mediocrity. Was it the movie Amadeus where Soliari (is that his name) self proclaimed himself the leader of all the mediocrity in the world? Which is why Chris and I are goin with the attitude of if we don’t want to watch or listen, why would anyone else.
Which is kinda how I’m gonna have to think about the Two Songs and a Cover. I’m thinking about little things I can do to make it stand out. One thing is the stand-by for start screen. I made a motion graphic movie today for my standby when I start the Restream app. While it’s not the coolest thing ever, its definitely more advanced than a vast majority of peeps I’ve seen as of late. I know that sonically it’s in the upper 1% of all live streams I’ve witnessed.
Hell I watched a supposed live stream by major country artist band where they tried to make it look like they were all playing in their own homes at the same time. But it was obvious they weren’t playing together as the music was perfectly in-sync and not live. The guitar player was picking notes that weren’t in the music – dead giveaway they were miming. All well and good, just don’t try to fop it off as live, like they did.
Because I have a recording setup, I’m fortunate enough to make it sound quite polished despite being live. No distortion from an over blown mic etc. Couple that with what musician friends would call a very consistent performance ability and what industry peeps would call hyper catchy songs and my differentiating point is who good I can made it sound. That’s where I want to be, in that spot where people get it and want to follow.
Beyond that, yeah, I have a brain and desire to do other things that shouldn’t make me sound like a nincompoop. Would the discussion of simple math do for now? A primary reason is due to people claiming to be woke/not controlled by the media or “fake news’ only to spout gut feelings and not facts when it comes to COVID-19. I write that because the math is saying exactly what the experts are saying. Why people have a cognitive dissonance with facts, math and/or science is baffling. Right?
2020 got off to a start of injuries.
Over the holidays I had a bizarre fall coming home from skiing. The driveway is a little sloped and I took a slightly wrong step, one leg shot out and I landed on top of my other leg. As I was going down I was thinking, please don’t break, please don’t break. Funny what we can process in the span of a split second. I could feel my bones in my lower leg start to twist. Then it was over. Maybe another millimeter and I might be in a cast right now. Instead I had a major sprain in my ankle and knee.
6 weeks later and I’m still having moments of noticing tender movements of my ankle. Thus it’s not 100% healed yet, but getting close.
Musically I’ve been working on finishing a multitude of projects for artists I’m producing to music I’m doing for me.
First thing that got finished was a single for a female artist out of Utah. That was a long time coming. Happy to have it done and when the artist finally gives me a release date, I’ll make note of it here.
Another project I’ve been working on is MūSE PC, a songwriter’s collective where I’m helping other songwriters to improve their songwriting chops. One fun project we’ve started is a group writing / recording project for a single song based on lyrics that everyone involved will get credit for.
I have multiple singles that have various states of finish. By that I mean I have a spreadsheet of things that each song needs to have completed before I can schedule a date to release it. I have 2 that are completely in the can and done. However I’m looking to have at least 6 done and in the can before I start my release schedule. Lots of them need music videos. Which is where I need to work more on brainstorming ideas for them. Some still need lyric videos, and while I had been working on a lot of them I’ve hit a wall on one where my idea might be a tad more complicated than its execution is realistic. Thus I need to reassess if I should change it out. In the mean time you can get down with this fantastic song.
I finally got asked to submit a composer’s reel for an upcoming film project. First time I’ve ever been asked to do so. So I had to spend some time hunting down all the projects I’ve done music for to be edited together into a cohesive unit for the project. While doing this task, I started to realize how many projects I’ve done and never got the final product sent to me. I guess I’m usually so busy moving on to the next thing that it was weird to go back and look at what I’ve done in the past.
Now that I’ve got some of these things done, I can get back to finishing the steps for these singles. Though I’m guessing that right now it won’t be until May before I start getting more music videos finished.
Hello 2020
We’ve made it thru 2019 and we’re still here. That’s a great thing, all things considered. First off – Happy New Year. I hope you had a fantastic trip thru your holiday festivities. As for me, I had a great time hanging with family for the Christmas thru New Years holidays.
What does a musician do over the holidays? For this time of year I would normally be skiing most mornings (for exercise sake), though this past holiday season that didn’t happen. The reason? Your friendly neighborhood musician nearly broke his leg walking in his driveway. I was coming home from skiing where I was about to enter the house when I slipped and fell. In the short span of the fall I was thinking to myself as I was going down, ow, this hurts. Oh shit, I can feel my bones in my lower leg starting to twist. Please don’t snap, please don’t snap. Fuck that hurt as I was picking myself up.
Somehow my right leg folded under me and twisted sideways. The end result? A really gnarly sprain for my ankle, which was in a ski boot at the time and my knee. Almost two weeks later, lots of icing plus a couple of days in a device my sister had and my ankle is almost back to normal. I did attempt to get out for some runs last week as I was already walking without a limp, but that proved to be a short-lived 2 runs before I opted to nix that. At that time my leg was feeling unstable and the pressure on my ankle still hurt. Tomorrow I will find out if my ankle and leg feel better as I plan on attempting to ski again. Fingers crossed that my leg won’t feel unstable.
Music Backup
Another thing I tend to do at the end of the year is make sure all projects from the year are properly backed up. This year was no exception. No exception with a twist. This time around I ended up consolidating CD and DVD backups to much larger Blu Ray discs. The process actually took a few days of organizing to get completely finished, but now I feel so much better with less overall discs in the library of data – I think I reduced about 300 discs to about 110. Not a bad reduction.
Music Production
The song I was working on for an artist that I was producing has been finished! The long road of a song called Divine Intervention has come to a production end. She has approved the mix and master. She’ll be picking up her finished project likely this week and releasing it to the world in 2020.
Music Of Moi
I’m mid production on several songs. Right now, today, as of this post being penned, I’m starting the mix of a track that I wrote some time ago but started tracking a full-on production version back in December. That’s the NOW of this post.
Videos
Mid production of two lyric videos. I believe I will get them both finished later this week. On the business side of it I’m still working on distribution with VEVO. I’ve run afoul of my previous distributor due to their requirement to control collecting royalties for ContentID. The problem is I have a deal with YouTube for publishing and that means I’m not willing to give a middleman money I’m collecting directly. Thus my music videos and lyric videos are stacking up awaiting release until I have a direct deal with VEVO in place.
2020 Plan
There’s quite a few things on the horizon. The policy I’m sticking to right now is, only discuss that which I’m finishing or have just finished. This means that in 2020 I will be increasing my output of posts here. I’m guessing my posts will start happening weekly. I already know that there will be multiple updates for January – but without letting the cat out of the bag right now.
Have a fantastic day, awesome week and enjoy life.
The big music story this week was Billie Eilish being interviewed on the Jimmy Kimmel show. During said show she was asked about Van Halen. To which she responded with knowing who they are. For some reason this set some people off who got really upset about it. It’s as if she’s a Bad “Girl” (yes, a pun on the title of her most popular hit).
I’m kinda confused as to why a 17 year old girl would be required to know who the fuck Van Halen is. One reason I don’t understand why people are upset has to do with the fact that Van Halen hasn’t been relevant for at least 15 years. Thus what 2 year old would have any clue what was popular in music at that point in life.
I would put it out there that there are a lot of people who are huge Van Halen fans that don’t know who the fuck Billie Eilish is, or even who maybe the New York Dolls. Just because she’s a famous musician now, doesn’t mean she has to know who every single artist is that came before her. That’s an unreasonable request.
The great thing is Wolfgang came to her defense. Which is ironic since he’s Eddie’s kid and often times now plays bass for the band. Yes, Van Halen had a big career for a good long time – but that time has pretty much past. Music has changed, some people move with it, some don’t.
Billie is definitely doing things a bit different and that’s what’s likely driving her popularity. She and her bother have hit the zeitgeist and that’s something many musicians attempt to have happen in their career and it’s rare at best. I certainly hope she is able to stay relevant for at least 4 album releases or more. The hard part about that is that the industry is bigger and there’s more artists doing so many things now that it may not be likely.
I think it would be really interesting to hear her now tackle a cover of a Van Halen song. I doubt she’d do it though. Stranger things have happened.
As you might be able to tell, I don’t care if she doesn’t know who Van Halen is. Though, I’m a little bummed she has no idea who I am 😎.
It’s been a bizarre Thanksgiving holiday. Bizarre may be too strong a word. Reality is it was mellow.
What made it weird is that I ran into an issue in the studio on the Wednesday before Thanksgiving. That translated into a technical issue regarding file backups. As a musician who takes work a tad to serious some times, I have a tendency of making a lot of backups of files. This started after I had a hard drive meltdown a bunch of years ago while I was attempting to make backups of 20 songs worth of material. I lost it all. No means of recovery. There was something that shattered the head of the hard drive and it destroyed the platters.
That changed my life from a computing and studio standpoint. I started making backups of projects to a 2nd hard drive after every recording session. Then once a project was finished, I would also make two optical backups to CDs at first, then to DVDs. Now I’m doing all backups to Blu Rays. The main reason why is because Blu Rays hold 50gb of data. Though I’m thinking my next batch I’ll grab 100gb Blu Rays.
Getting back to what happened right before Thanksgiving 2019… I had a need to get out a project. For all of this I’m running an optical data library that keeps track of all the files I have and on which disc. This allows me to call up a disc, check it out of the unit, put it into the computer, transfer files, then put the disc back. Its really handy. However, the unit is getting old and I’m thinking the power supply is going bad so sometimes one or more of the units don’t respond well (whole other tech story going on there).
Thus, I made a decision that its time to upgrade a bunch of old DVDs/CDs from those formats to sit on Blu Ray. This takes time. Lots of time. So for several days I’ve been pulling data of old backups, reorganizing the data and burning it back onto Blu Ray. As I’m writing this, I’m about 90% done. Organization of files is key. Especially if I have a client that wants something changed, I have to be able to recall old sessions. Or maybe I want a remix of one of my tracks or maybe I need to chart a part from one of my songs. The process of doing such things becomes real easy if I have a simple method of recall for the data. Which I do, and now I’m improving it.
Whenever I burn an optical disc I always burn a 2nd one. Why have one when you have a 2nd? That’s my motto. Mainly for the reason that if one gets scratched, I have a backup of that. I also attempt to make a hard drive backup as well, but with this much data it gets to be a bit much.
If you’re not one to backup data, and I’ve met many who don’t – I find I have no sympathy when people lose data. I realize it isn’t fun to lose data, but if you don’t take time to actually back it up, you have no one to blame but yourself.
Anyway, until a better means of backup comes along from Blu Rays, I’m now at least up with the times of getting my data on to a new format for the time being. Mind you, I am seriously considering microSD as some companies are now selling 512gb microSD for $6. The issue becomes, how do I keep track of it what’s on said microSD when there’s no clear method to making it easy. But the format is getting cheap. If you have a great easy way to keep track of what’s on a microSD hit me up as I’d like to know how to keep track of them as an additional means of backup.
I should be done with this mess tonight. Which means getting back to making more lyric videos and finishing more singles in the near future.
Today I got around to working on a lyric video where a few days ago I decided I would try it one more time. The main reason why had more to do with not being entirely happy with the first attempt.
The last several weeks have been highly productive with a lot of output. Not only for music, but for videos related to my music as well. I’ve been working diligently on making lyric videos for a whole lot of my songs. Generally it’s been taking about 3 to 4 hours for very song to get 2 lyric videos per. One song in particular is called Supernova (expect it’s release sometime in 2020, that’s the current plan). I had done a lyric video for it, but the video I had in the background was poorly shot – me handheld of footage from a 4th of July fireworks show.
In looking back at it, I felt it just seemed to lo-fi. Didn’t fit the title well enough and in a sense, lazy. I thought fireworks would work, but the quality of the video in low light from a phone, meh.
Now that I’m starting to dig further into the capabilities of Motion, I’m figuring out ways to really make things pop, or sometimes taking an easier route. Today however was a day of really making something pop. I managed to create a really cool outer space animation that looks super stellar (pun intended). This took a good deal of time, but the end result is something that is constantly evolving over the course of the song and it’s interesting to look at.
I still have to get the words in, but I’ve found a cooler font, a nicer look, and animation that makes more sense. Thus all the way around, I’m happier with the result so far. I believe I will get the lyrics in and done tomorrow.
Musically, I’ve got another song that I’ve been working on with Chris Hellstrom. It’s turning out really great too. Fun lyrics. Fun concept. Tongue in cheeky type of song. One that has more than one hook and one hook in particular that I imagine might become a catch phrase. Two reasons on that, one, the melody is easy to remember. Two, the words will catch people by surprise and they’re words that a vast majority of people say – but may not have said them in this order or sung this way. But once heard, you can’t forget it.
I did get the mix and master of another single done a couple of days ago. It’s on the list of videos that needs to now get done.
Additionally I’ve been asking fans of sports teams like the Washington Nationals (congrats to them for winning the World Series this year) if they would send me video footage they’ve shot for lyric videos. HINT HINT. If you’re reading this and your a fan of a sports team – I ask you to reach out with video footage you have rights to, if you would.
This same thought about lyric videos for teams has led to another idea for me. But I’ll keep that under wraps for the time being. Though you’ll likely see the reason pop up on my website in the not too distant future.